Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Steve Fitch
Highway 66, Grants, New Mexico; March 20, 2002

About the Item

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the night. Tinged with nostalgia, these delightfully garish motel signs lovingly recall a mid 20th Century road culture speaking to a sense of independence and freedom central to the contemporary American identity. A trained anthropologist, Fitch’s approach to “American Motel Signs” is almost scientific. A topology of form is created by photographing the signs from an observational distance with a democratic square frame inviting viewers to compare regional differences in detail, design, and landscape. For Fitch, much of his photographic work was inspired by childhood family road trips from Northern California to South Dakota and continues to focus on what the artist has termed the ‘vernacular of the journey’.
More From This SellerView All
  • Atomic Overlook: 16, 2012
    By Clay Lipsky
    Located in Sante Fe, NM
    Clay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment

  • Atomic Overlook: 01, 2012
    By Clay Lipsky
    Located in Sante Fe, NM
    Clay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival images of atomic explosions among casual scenes of vacationers. The surreal images speak to a voyeuristic culture where catastrophe is viewed as entertainment by increasingly desensitized masses. The iconic mushroom cloud in each image serves as metaphor for larger societal issues such as: global warming, nuclear power...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment

  • Ezra II, limited edition, archival pigment ink photograph, signed and numbered
    By Julie Blackmon
    Located in Sante Fe, NM
    Ezra II, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment

  • Linen no. 6, Assateague Island, MD
    By Thomas Jackson
    Located in Sante Fe, NM
    The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Pigment

  • Tulle no. 49_v1, Stinson Beach, CA
    By Thomas Jackson
    Located in Sante Fe, NM
    The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Pigment

  • Tulle no. 34_v2, Ocracoke Island, NC
    By Thomas Jackson
    Located in Sante Fe, NM
    The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Archival Pigment

You May Also Like
  • LA Hotel Room
    By Jamie Hince
    Located in New York, NY
    16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.
    Category

    Mid-20th Century Contemporary Color Photography

    Materials

    Archival Pigment

  • at the Darulaman Palace, Kabul, August 2003
    By Jonathan Becker
    Located in New York, NY
    at the Darulaman Palace, Kabul, August 2003 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 15 Certificate of Origin Signed and T...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Pigment

  • `Untitled 36`. Norway.Shadow Within-wolf nature forest animal
    By Christian Houge
    Located in Oslo, NO
    `Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a....
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment

  • `Untitled 8`, Norway 2012- nature colour wolf animal
    By Christian Houge
    Located in Oslo, NO
    `Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a....
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment

  • Nature Abstraction #16, Mendoza (Color Abstract Photography)
    By Rodrigo Katayama
    Located in New York City, NY
    Rodrigo Katayama Nature Abstraction #16, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed
    Category

    2010s Contemporary Landscape Photography

    Materials

    Plexiglass, Archival Pigment

  • Nature Abstraction #7, Ibicoara (Color Abstract Photography)
    By Rodrigo Katayama
    Located in New York City, NY
    Rodrigo Katayama Nature Abstraction #7, Ibicoara (Color Abstract Photography) (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed
    Category

    2010s Contemporary Landscape Photography

    Materials

    Plexiglass, Archival Pigment

Recently Viewed

View All