Steve McCurry
Young Practitioners of the Shaolin Tagou Martial Arts School
2019

About the Item

Edition of 15 Additional sizes available Steve McCurry (American, b. 1950) has been one of the most iconic figures in contemporary photography for more than five decades. Born in Philadelphia, Pennsylvania, McCurry studied cinematography at Pennsylvania State University, before going on to work for a newspaper. After two years, McCurry made his first of what would become many trips to India. Traveling with little more than a bag of clothes and film, he made his way across the subcontinent, exploring the country with his camera. It was after several months of travel that he crossed the border into Pakistan. In a small village, he met a group of refugees from Afghanistan, who smuggled him across the border into their country, just as the Russian invasion was closing the country to Western journalists. Emerging in traditional dress, with a full beard and weather-worn features after months embedded with the Mujahideen, McCurry made his way over the Pakistan border with his film sewn into his clothes. McCurry's images were among the first to show the world the brutality of the Russian invasion. Since then, McCurry has gone on to create unforgettable images over all seven continents and numerous countries. His body of work spans conflicts, vanishing cultures, ancient traditions, and contemporary culture alike - yet always retains the human element that made his celebrated image of the Afghan Girl such a powerful image. McCurry has been recognized with some of the most prestigious awards in the industry, including the Robert Capa Gold Medal. Most recently, the Royal Photographic Society in London awarded McCurry the Centenary Medal for Lifetime Achievement and in 2019, McCurry was inducted into the International Photography Hall of Fame.

Creator:
Steve McCurry (1950, American)
Creation Year:
2019
Dimensions:
Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
Medium:
Paper,Archival Pigment
Period:
2010-
Condition:
Gallery Location:
Greenwich, CT
Reference Number:
1stDibs: LU18113936482
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Steve McCurry

Steve McCurry is an American photographer who gained international acclaim for his arresting portrait of a young refugee known simply as Afghan Girl.

Originally published on the cover of National Geographic in 1985, the photograph shows a young Pashtun orphan, later identified as Sharbat Gula, who was living in a refugee camp near Peshawar, Pakistan, during the Soviet Union’s occupation of Afghanistan. The image is emblematic of McCurry’s work, which has brought him to war zones across the globe. Rather than focusing on the violence of the battlefield, McCurry seeks to capture the human face of conflict, distilling what is universal and recognizable in each portrait.

McCurry was born in Philadelphia and attended Penn State University, graduating cum laude with a degree in theater arts in 1974. After several years working at a newspaper in King of Prussia, Pennsylvania, he left to work as a freelancer in India, where he honed his skill for capturing unguarded moments in daily life. Just prior to the Soviet invasion of Afghanistan, in 1979, he crossed the border from Pakistan into Afghan rebel–controlled territory, wearing native garb to disguise himself, with rolls of film sewn into his clothing. The photographs he took there were among the first in the world to document the conflict, and his work was awarded the Robert Capa Gold Medal for “photographic reporting from abroad.”

Over the course of his career, McCurry has documented daily life alongside conflicts in Cambodia, the Philippines, the former Yugoslavia, Beirut, Iraq, Afghanistan and Tibet. Though his photos depict serious and sometimes frightening situations, his ability to connect with subjects and capture something of their personalities allows his images to transcend the documentarian distance of wartime journalism. The results are real portraits that happen to be set in tough situations. Welder in a Ship Breaking Yard, Mumbai, India (1994), for instance, reveals only the subject’s eyes, but they’re so intently fixed on McCurry’s lens that they seem to express volumes. Monk Running on Wall (2004) shows a young monk defying gravity as he skitters along an exterior wall of the Shaolin Monastery in Henan, China, over the heads of his friends. Like a Baroque painting, McCurry’s picture captures a moment of dynamic action that reveals something instantly recognizable in a subject from another part of the world.

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