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Brian Duffy
Elle, Beach Shadow, Morocco

1963

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  • Westminster Bridge, London
    By Brian Duffy
    Located in Santa Monica, CA
    Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...
    Category

    1960s Figurative Photography

    Materials

    Silver Gelatin

  • Group on Deck #3, Town Magazine
    By Brian Duffy
    Located in Santa Monica, CA
    Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...
    Category

    1960s Figurative Photography

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    Silver Gelatin

  • Jean Shrimpton, Edgware Road, London
    By Brian Duffy
    Located in Santa Monica, CA
    Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...
    Category

    1960s Figurative Photography

    Materials

    Silver Gelatin

  • La Robe Rouge
    By Sarah Moon
    Located in Santa Monica, CA
    Signed and editioned Edition of 5
    Category

    21st Century and Contemporary Color Photography

    Materials

    Digital Pigment

  • Politics Makes Strange Bedfellows
    By Gregori Maiofis
    Located in Santa Monica, CA
    Politics Makes Strange Bedfellows 2005 / Printed 2014 Bromoil Print Signed and titled in Russian. Dated and numbered in pencil on verso. Edition of 15 18 x 18 inches.
    Category

    21st Century and Contemporary Figurative Photography

    Materials

    Bromoil

  • Untitled (Horses Kissing)
    By Pentti Sammallahti
    Located in Santa Monica, CA
    Pentti Sammallahti Untitled (Horses Kissing) 1979 Gelatin Silver print
    Category

    20th Century Black and White Photography

    Materials

    Silver Gelatin

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    A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...
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    "A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his...
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