Kat Toronto aka Miss Meatface

"Pink Rose" Photography, Archival Ink on Aluminum, Figurative, Color

2017

The Labyrinth Series "Iyanna and the Leaves No 1" Photography, Archival Ink on Aluminum Limited Edition of 6 Signed on verso, includes a certificate of authenticity. Indira Cesari...

"Floral" Photography Printed with Archival Ink on Aluminum Dimensions: 24 x 30 in (Limited Edition of 3), 16 x 20 in (Limited Edition 2/3), 11 x 14 in (Limited Edition 2/10) This pho...

"Floral" Photography Printed with Archival Ink on Aluminum Dimensions: Dimensions 12 x 8in (Limited Edition of 10), 18 × 12in (Limited Edition of 6), 30 x 20 in (Limited Edition of 3...

"Flying Saucers" Photography Printed with Archival Ink on Aluminum, Glossy Finish Dimensions: 30 x 24 in (Limited Edition of 3) 20 x 16 in (Limited Edition of 3) 14 x 11 in (Limited ...

"No Time For Tears" Photography Printed with Archival Ink on Aluminum, Glossy Finish Dimensions: Dimensions 20 x 16 in (Limited Edition of 3) 14 x 11 in (Limited Edition of 10) This ...

Kat Toronto, AKA “Miss Meatface” is a multidisciplinary artist hailing from the San Francisco Bay Area who works in performance-based photography. She uses her often unsettling and surreal images to explore cultural ideals of feminine beauty and the objectification of women...

Read till you need no more…Words [from the series Schoffie] Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, edition of 5, Digital archival pigment print 
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'Lunar Sea' 2019, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. ...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

The hood is falling short (2017) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristin...

Muschi Guerilla #03, 2008 [From the series Goldenbogen & Zouzou] Published in Carmen De Vos's new book 'The Eyes of the Fox' and on the cover of her T...

Lucia at Fourteen (2018) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristina Fonts...