Paul Raphaelson

Boiler House Windows

Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart...

17"x24" color photograph signed on the reverse by the artist. This fine art photograph depicts the interior warehouse of the historic Brooklyn Domino Sugar Refinery, with the residu...

20"x30" This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 20"x30" edition #1 of 5, signed and editioned on the reverse. This color p...

24"x24" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

24"x30" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

20"x30" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...

EUR is a beautiful offset realized by Franco Fontana. Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous contempor...

"Baia delle Zagare, 1970" is a beautiful offset realized by Franco Fontana. Rondanini Galleria D'arte Contemporanea - Roma. Limited edition of 1.000 Coloured poster from a photogra...

Franco Fontana, offset, Prague. Realized for the photographer's exhibition at Galleria Rondanini, Rome.

Nuclear Power Plant in Garigliano Sessa Aurunca (Italy) is a vintage black and white photograph realized in the 1960s. Good conditions.

"Something And/Or Nothing? - Heart" is a figurative landscape photograph with hues of green, yellow, and black. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Elia...

"Something And/Or Nothing? - Nike" is a figurative landscape photograph with hues of green, yellow, and black. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and...