Horst P. Horst

V.O.G.U.E. (Lisa Fonssagrives-Penn), New York

1940

Gelatin Silver print mounted to archival board.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Le Pont de Brooklyn (Brooklyn Bridge) New York 1982 / Printed Later Gelatin Silver print Signed in ink on recto. Signed, titled and dated in pencil on verso.

This vintage print of the The Lagisza Power Station is extremely rare as it has been printed on warm tone paper giving a slight sepia effect. It is one of the last remaining vintage prints of this image available and it's a large print (40 x 58 cm) The Lagisza Power Station print is one of those most iconic industrial photographs...

“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times “Mike...

NEAR THE CHURCH, 2016 Unique Luminogram Silver Gelatin Print, Framed; Framing options available, also can be shipped unframed if preferable Framed; museum mount board, white metal fr...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...