James Sparshatt

Puro.... alegría #IV - Neo Aluminium - by Sparshatt Dalzell.

2023

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Amy Christie Pink Cyclamens on Lime Green Original Still Life Painting Mixed Media on Canvas Canvas Size: H 50cm x W 50cm Framed Size: H 54cm x W 54 cm x D 3.5cm Framed in a White Wooden Handpainted Tray Frame Pink Cyclamens on Lime Green is an original mixed-media painting by Amy Christie. Painted in bright, vibrant colours with acrylics and mixed-media to achieve a textured surface on the canvas. Amy has used silverleaf on many parts of the composition plus a metallic glaze to highlight certain areas. The silverleaf and shimmering glaze catch the light beautifully, so this is a piece of artwork that changes depending on the time of day, the light in the room and the direction from which the painting is viewed… artwork that literally changes before your eyes. I’m a North-Norfolk based painter inspired by the joy and vibrancy of flowers. They are a great vehicle for colour and I thoroughly enjoy selecting, mixing and working into my paints to create a piece that sings. I aim to uplift the viewer with my artwork and feel that I have succeeded in my work if I bring about a smile, a feeling of peace or a moment where all that matters is the beauty of colour and form. I work in acrylics and use textures and glazes with multiple layers of colour to create interesting and exciting effects. Paint is partially removed and pulled back to reveal hidden colours and I often adorn the painting with gold- or silver-leaf to illuminate it even further. I also use antique wooden printing blocks...

Magdalena Morey Exploring Every Path 6 Contemporary Abstract Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in situ i...

Pradosh Swain - Longing Past III - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. "Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality." Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...

This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...