Carlo Bevilacqua

NYC From Empire (from New York series )

2008

Foto fine art in Bianco e Nero scattata sulla terrazza del Duomo di Milano a Marzo 2006 Stampata su carta Hahnemühle Photo Rag 308 - 50x 50 . Non incorniciata. Opzione cornice d...

Foto fine art in Bianco e Nero dell'empire State Building a Manhatthan, New York scattata a Marzo 2008 dalla Terrazza del Top Of The Rock Edizione Limitata di 10# Stampata in ediz...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

Foto fine art in Bianco e Nero scattata a Milano nel Marzo 2006 Riflesso del Palazzo Mezzanotte sede della Borsa di Milano Stampata su carta Hahnemühle Photo Rag 308 - 50x 70 . N...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

Newcastle - Limited edition archival pigment print - Edition of 5 Newcastle upon Tyne, UK This image was captured on film in 1978. The negative was scanned creating a digit...

Horses , Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...

Venice 2 , Limited edition archival pigment print , 2002 - Edition of 5. This image was captured on film with a camera Xpan Hasselblad . The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are two sizes of this print; each is an edition of five (5) making the total that can be printed as ten (10). This will include any custom sizes requested Archival pigment print available sizes : 30 x 88 cm / 11,81 x 34,65 in - Edition of 5 50 x 146 cm / 17,72 x 57,48 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Style : Black and white photography, 20th. century, Archival pigment print, Long room, Panoramic, I Love...

Dune - Limited edition archival sepia pigment print - Edition of 5 This image was captured on film in 1997. The negative was scanned creating a digital file which was then p...