Items Similar to Le marais aux canards (Marsh with Ducks).
Want more images or videos?
Request additional images or videos from the seller
Charles François DaubignyLe marais aux canards (Marsh with Ducks).1862
1862
About the Item
1862. Original cliché verre. Delteil, Melot 133. 6 1/2 x 7 7/8 (image and sheet). Edition 150, #85. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. Housed in an archival 16 x 20-inch mat.
Cliché-Verre. means glass picture. The 19th-century French painters Corot, Millet, Daubigny, and others, used this method of making pictures, which involves creating a handmade negative. These artists took pieces of flat glass, smoked them with a lit candle, and drew images on the soot-covered surface with a sharp pointed instrument. Then they would place the glass over a sheet of photographic paper and expose it to light.
When light passes through the clear parts of the glass that is scratched, it produces a line drawing in black on a white background. Contact prints made from these negatives have a wonderful sense of belonging to the realms of both drawing and photography.
The shot glass holds, by its very nature, both drawing, printmaking and photography. But it is above all a process of multiplication of the image based on the early days of photography.
This technique, midway between printmaking and photography was invented in the 1850s by Constant Dutilleux and his son Charles Desavary.
Barbizon on the outskirts of the Forest of Fontainbleau had already attracted regular visits from landscape painters wishing to paint in the open air (plein-air) directly from nature. J. F. Millet and Charles Jacque left Paris after the 1848 Revolution. Constant Dutilleux and Daubigny were regular guests at the village inn (as were Georges Sand, the Goncourts and other romantics). Adalbert Cuvelier visited annually bringing his photography students from Arras. In 1859 his son Eugène married the inn-keeper’s daughter and settled in Barbizon. Eugène Cuvelier showed the cliché-verre process to Millet, Rousseau and Daubigny. In 1853, Camille Corot produced the first "drawing on glass photographic". The subject was the woodcutter Rembrandt. He printed their glass plates, which remained in his possession. Few early impressions (printed on thin salted or albumin paper) have survived.
The Cuvelier collection of cliché-verres was re-printed in small editions of 10-15 prints in 1911 when it was acquired by Bouasse-Lebel. were subsequently printed in an edition of 150 before chipping the corners of the glass plates as cancellation and giving them to museum collections. The Le Garrec impressions are on gelatine paper and retain the photographically printed scratches and fingerprints in the borders and the ‘black’ edge of the glass plate.
- Creator:Charles François Daubigny (1817 - 1878, French)
- Creation Year:1862
- Dimensions:Height: 6.5 in (16.51 cm)Width: 7.88 in (20.02 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521549443
Charles François Daubigny
Charles-François Daubigny, (15 February 1817 – 19 February 1878), Daubigny was born in Paris, into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny. Daubigny's finest pictures were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has been said that when Daubigny liked his pictures he added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. He was named by the French government as an Officer of the Legion of Honor. Daubigny died in Paris in 1878.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
700 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Le bouquet d'aunes ((The Clump of Alders)By Charles François DaubignyLocated in Storrs, CT. 1862. Original cliché-verre. Counterproof. Delteil, Melot 145. 6 1/2 x 8 3/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Pari...Category
Mid-19th Century Barbizon School Black and White Photography
MaterialsPhotographic Paper
- La Machine hydraulique (The Hydraulic Machine).By Charles François DaubignyLocated in Storrs, CTLa Machine hydraulique (The Hydraulic Machine). 1862. Original cliché-verre. Delteil, Melot 147. Delteil 147. 8 3/8 x 13 1/2 (sheet 11 x 14). Edition 150, #85. A posthumous impressio...Category
Mid-19th Century Barbizon School Black and White Photography
MaterialsPhotographic Paper
- Angled ReflectionsBy Deirdre AllinsonLocated in Storrs, CTBlack and white photograph printed on silver gelatin Ilford Galerie fiber in an 18 x 24-inch archival mat. The print is signed, titled and numbered in pencil. Image size is 16 x 2...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsPhotographic Paper
- Unexpected SymmetryBy Deirdre AllinsonLocated in Storrs, CTBlack and white photograph on a ChromaLuxe metal panel with a UV coating bonded to substrates that include 0.45" metal. ChromaLuxe has superior fade, moisture, stain and scratch resi...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsMetal
- Through the Bridge, A view of Manhattan and Brooklyn through the Manhattan BridgBy Deirdre AllinsonLocated in Storrs, CTBlack and white photograph 24 x 36. (Matted and framed.) Edition: 50 silver gelatin photos printed on Ilford Galerie fiber-based digital silver pap...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsMetal
- Cables, Brooklyn BridgeBy Deirdre AllinsonLocated in Storrs, CTBlack and white photograph on a ChromaLuxe metal panel with a UV coating bonded to substrates that include 0.45" metal. ChromaLuxe has superior fade, moisture, stain and scratch resi...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsMetal
You May Also Like
- Sand Dune Arches - black and white rock arch photography, limitd edition of 10Located in London, GB'Sand Dune Arches' Utah, USA, 2023 Limited edition of 10. Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsFilm, Photographic Film, Photographic Paper, Giclée
- Sand Dune Arches - black and white rock arch photography, limitd edition of 20Located in London, GB'Sand Dune Arches' Utah, USA, 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper....Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsFilm, Photographic Film, Photographic Paper, Giclée
- 'Falls' Limited edition photograph triptych. Yosemite Stone Water Tree TextureBy Sophia MilliganLocated in Penzance, GB'Falls' Archival photographic triptych. Limited Edition of 25. Hand signed and numbered, unframed. _________________ Rooted in the richly textured rock face, the humble pines provide a sense of scale to the vastness of Yosemite falls. Cascading water, softening the sharp edges of time...Category
2010s Contemporary Landscape Photography
MaterialsPhotographic Paper
- 'Time and Tide' Limited edition photograph. California Beach CottageBy Sophia MilliganLocated in Penzance, GB'In which Time and Tide Strip Back The Layers of love' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Crystal Cove, Orange County, California, an empty beach cottage...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Photographic Paper
- Tropical Breeze No2By Jessica NugentLocated in New York, NYABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in tim...Category
2010s Landscape Photography
MaterialsPhotographic Paper
- Tropical Breeze No1By Jessica NugentLocated in New York, NYABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in tim...Category
2010s Landscape Photography
MaterialsPhotographic Paper
Recently Viewed
View AllMore Ways To Browse
With Ducks
Antique Sand Art
Early Painted Landscape Plates
Antique Ducks
Antique Glass Photography
The Antique Inn
Black Pointed Flats
Antique School House Light
Mid Century Shot Glass
Midcentury Shot Glasses
Les Marais
Le Marais
Salt Marsh
1853 Show
Shot Glass French
Landscape With Ducks
19th Century Arras
Small Mid Century Drawings Signed Original