'Westbound SD 16' - Color Photography - Landscape - Walker Evans
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Chris Little'Westbound SD 16' - Color Photography - Landscape - Walker Evans2020
2020
About the Item
- Creator:
- Creation Year:2020
- Dimensions:Height: 40 in (101.6 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Atlanta, GA
- Reference Number:1stDibs: LU15526673542
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2003
1stDibs seller since 2015
115 sales on 1stDibs
Typical response time: 5 hours
More From This SellerView All
- '37 Memorial Drive, Atlanta, GA' - documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '3320 Memorial Drive, Decatur, GA' urban landscape, documentary photographyBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '881 Memorial Drive, Atlanta, GA' documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '2617 Memorial Drive, Atlanta, GA' urban landscape, basketball, sportsBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '680 Memorial Drive, Atlanta, GA' documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '3375 Memorial Drive, Decatur, GA' urban landscape, documentary, signsBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
You May Also Like
- Don´t come with me - Contemporary, Photograph, Landscape, 21st Century, ColorBy Cristina FontsareLocated in Morongo Valley, CADon´t come with me - 2011 40 x 40 cm, Edition of 5 plus 2 Artist Proofs. Archival Photography printed on Canson Baryta 310gr (not mounted) Signed on back with Certificate. About m...Category
2010s Contemporary Landscape Photography
MaterialsArchival Ink, Archival Paper, Color, Archival Pigment
- Golden Gate Bridge ( 58 x 110" )By Frank SchottLocated in San Francisco, CAGOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsPhotographic Paper, Archival Pigment, Archival Paper, Giclée
- Rosignano Llama - large scale Mediterranean beach scene in Italy (artist framed)By Massimo VitaliLocated in San Francisco, CAlarge format original photograph of the iconic Mediterranean white beaches of Rosignano in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of beach rites and rituals of modern leisure From Massimo Vitali's body of works captured along Italy's (almost deserted) beaches in the pandemic summer of 2020 Spiagge Bianche...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsPlexiglass, Wood, Archival Paper, Photographic Paper, Archival Ink, Arch...
- 'Wa-Kal-La' Photographic triptych Yosemite Water Wood Tree Stone Nature GoldBy Sophia MilliganLocated in Penzance, GB'Wa-Kal-La' Archival photographic triptych. Limited Edition of 25. Hand signed and numbered, unframed. _________________ Reflected in the rippling surface of the Merced river, the ...Category
2010s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Ink, Archival Paper, Giclée, Archival Pigment
- 'The Optimism of Spring' Photograph Cherry blossom Sakura flowers green pinkBy Sophia MilliganLocated in Penzance, GB'The Optimism of Spring' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Digital, Giclée, Archi...
- Ancient Laurisilva Forest, crooked tree, Madeira, B&W art photography, landscapeBy Gerald BerghammerLocated in Vienna, ViennaBlack and White Fine Art Photography - Mystical curved tree in the fog on the island of Madeira, Portugal, edition of 8. Signed, titled, dated and numbered by artist. Certificate of ...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Giclée, Archival Ink, Black and White, Digital, Digital ...