Peter Essick"Water Oak #2, Stone Mountain, GA" Anthropocene landscape photo - Ansel Adams2021
2021
About the Item
- Creator:Peter Essick (1957, American)
- Creation Year:2021
- Dimensions:Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)
- More Editions & Sizes:15 by 22 inches, edition of 10Price: $80024 by 36 inches, edition of 5Price: $1,40040 by 60 inches, edition of 3Price: $2,800
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Atlanta, GA
- Reference Number:1stDibs: LU15528909412
Peter Essick
Peter Essick is a photographer, author, speaker, instructor and drone pilot who specializes in nature and environmental themes. He is inspired by the works of Walker Evans, Ray K. Metzker and David Hockney. Named one of the 40 most influential nature photographers in the world by the Outdoor Photography Magazine, Essick has been influenced by many noted American landscape photographers from Carleton E, Watkins to Robert Adams. His goal is to make photographs that move beyond mere documentation to reveal in careful compositions the human impact of development as well as the enduring power of the land. Essick is the author of two books of his photographs, The Ansel Adams Wilderness, and Our Beautiful, Fragile World. He has had solo exhibitions of his work at the Booth Western Art Museum, Yoho National Park: A Canadian Gem and at Compositions in Nature, Lumière Gallery. Essick has photographed stories for National Geographic on many environmental issues including climate change, high-tech trash, nuclear waste and freshwater. Other work has been published in international magazines. Essick's photographs are in public and private collections. Currently, Essick is working on a book of his photographs about Fernbank Forest, an urban old-growth forest in Atlanta, and will be published by Fall Line Press in 2020.
- ShippingRetrieving quote...Ships From: Atlanta, GA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- '37 Memorial Drive, Atlanta, GA' - documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '3320 Memorial Drive, Decatur, GA' urban landscape, documentary photographyBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '881 Memorial Drive, Atlanta, GA' documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '2617 Memorial Drive, Atlanta, GA' urban landscape, basketball, sportsBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '680 Memorial Drive, Atlanta, GA' documentary photography, urban landscapeBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- '3375 Memorial Drive, Decatur, GA' urban landscape, documentary, signsBy Peter EssickLocated in Atlanta, GAThis listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- Tuquoise 14By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Special Flying Envoys, MontanaBy Jeanine Michna-BalesLocated in Dallas, TXEdition of 3 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 32 x 40 in. From series, Standing Together: Inez Milholland's Final Campaig...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- Act I - Contemporary, Photograph, Light, Century, ColorBy Cristina FontsareLocated in Morongo Valley, CAAct I (2012) 50 x 68 cm, Edition of 10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back with Certificate....Category
2010s Contemporary Landscape Photography
MaterialsArchival Ink, Archival Paper, Color, Archival Pigment
- South Texas: Cash Creek and coastal prairie, Matagorda County by Peter BrownBy Peter BrownLocated in Dallas, TXSouth Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
- 2007 Windows. Abstract architectural landscape color photographBy Javier ReyLocated in Miami Beach, FL2007 Windows by Javier Rey Archival pigment print Size: 58.5 cm H x 80 cm W. Edition of 7 + 2AP Unframed A Thousand Windows is an exploration of bu...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsColor, Archival Pigment
- 1002 Windows. Abstract architectural landscape color photographBy Javier ReyLocated in Miami Beach, FL1002 Windows by Javier Rey Color Archival pigment print Image size: 70 cm H x 46.5 cm W. Edition of 7 + 2AP Unframed A Thousand Windows is an exploration of building facades that...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment, Color