Machine Dazzle

1946-1956 (from Taylor Mac’s “A 24-Decade History of Popular Music”) Decade 18

May 2022

Virgil Thompson, Librettist, Historic Apartment 1999/2022 Signed, titled, and dated in black ink, verso Archival pigment print (Edition of 5) 16 x 20 inches (40.6 x 50.8 cm), shee...

Hot Chelsea 2000/2022 Signed, titled, and dated in black ink, verso Archival pigment print (Edition of 5) 20 x 16 inches (50.8 x 40.6 cm), sheet $2,000 This work is offered by C...

Club Scene, 3rd Floor Hall Bath 1995/2022 Signed, titled, and dated in black ink, verso Archival pigment print (Edition of 5) 16 x 20 inches (40.6 x 50.8 cm), sheet $2,000 This ...

Hotel c. 1994/2022 Signed, titled, and dated in black ink, verso Archival pigment print (Edition of 5) 20 x 16 inches (50.8 x 40.6 cm), sheet $2,000 This work is offered by CLAM...

Portrait of Marilyn c. 1960s/printed later Inscribed and numbered in ink, recto Archival pigment print (Edition of 90) 20 x 16 inches (50.8 x 40.6 cm), ...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 32 inches, sheet 12.75 x 30 inches, image (Edition of 15) 17 x 42 inches, sheet 15 x 40 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Originally trained as a painter, and then working as a collage artist, Marc Yankus began incorporating his own photographs into his artwork around 1999. However, when he did so, it marked a turning point in his career. In many of Yankus’ photographs, textures scanned from old tintypes, books, and other objects are digitally layered on top of the artist’s original images. The superimposition of the old and the new serves as an apt metaphor of Yankus’ wider conceptual interests. Throughout his work, the artist oscillates not only between the old and the new, the past and the present, but also between figuration and landscape. Establishing a rhythm and play between timeless portraits and beautifully still and quiet landscapes and cityscapes, Yankus’ achievement is a wonderful consistency of mood. Hushed, introspective, and at turns even melancholic, this body of work is ultimately a reflection of the artist’s personal past and his passage into the present time. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth, and Alan Hollinghurst, among many others. His images have also been used for theatrical posters for such acclaimed Broadway shows as “Jane Eyre”; August Wilson...

Signature label

Keith in Exile – Unlimited Graphix Series (2022) by Norman Seeff Open edition museum quality archival pigment print of Rolling Stones guitarist, Keith Richards, created, printed and signed by Norman Seeff. Measures 38" × 50" This new art print by Norman Seeff was taken from Norman's original 1972 portrait session for the Exile on Main St...

Guido Argentini Argentum series SULIS 60 x 152 inches Edition of 1 - Unique Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

Jun AHN (*1981, South Korea) Invisible Seascape #7-1/7-2, 2011 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Diptych (two work...

The frequencies I am made of, Set Individual Image size: 68.8 in. H x 43.3 in. W Overall Image size: 68.8 in. H x 216.5 Gicleé print on cotton rag 68.8" H x 43.3" W Ed 4/5 + 1AP 201...