Arthur Hauser

Figure Study no. 15

2022

These photographs explore tonality, texture, mass and depth in context of the human figure. These figure studies intend to explore and demonstrate the shapes and patterns of human ...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in my home studio while visiting family in upstate New York. These fi...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in my home studio in Seoul, South Korea. This image was inspired by ...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in my home studio in Seoul, South Korea and was inspired by the Greek...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in my home studio while visiting family in upstate New York. These fi...

These photographs explore tonality, texture and depth in context of the human figure. This photograph was made in Gyeonggi, South Korea. These figure studies intend to explore and...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 This image was captured on film. The ne...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and ...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD6075 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art...

"Cindy's Shotgun Wedding" Nevada City, Montana USA 2019 Large: 71" x 108” Edition of 20 Standard: 52" x 76" Edition of 20 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Of course, we have worked in this room many times before and I know my light, my angles and the minimal depth of focus. We called last year’s photograph of the mountain men at the bar The Usual Suspects as that is exactly what they were. Some of those men rarely leave the warmth of The Pioneer Bar in Virginia City throughout winter - in fact they hibernate there. It proved such a popular image and has sold out across the world - in some cases raising huge sums for charity. So, when we went back this year, we thought it would be fun to have an additional crew member - Cindy Crawford. The word juxtaposition is over used in narrative, but I think we can get away with it here. The old boys may drink a bit and smoke a bit of weed, but they were on their very best behaviour that day - which is essentially still medieval. An international icon joining their party was not something they bargained for and at least one cowboy convinced himself it was the weed. We had to call the image The Unusual Suspects...

"Cindy's Shotgun Wedding" Nevada City, Montana USA 2019 Large: 71" x 108” Edition of 20 Standard: 52" x 76" Edition of 20 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Of course, we have worked in this room many times before and I know my light, my angles and the minimal depth of focus. We called last year’s photograph of the mountain men at the bar The Usual Suspects as that is exactly what they were. Some of those men rarely leave the warmth of The Pioneer Bar in Virginia City throughout winter - in fact they hibernate there. It proved such a popular image and has sold out across the world - in some cases raising huge sums for charity. So, when we went back this year, we thought it would be fun to have an additional crew member - Cindy Crawford. The word juxtaposition is over used in narrative, but I think we can get away with it here. The old boys may drink a bit and smoke a bit of weed, but they were on their very best behaviour that day - which is essentially still medieval. An international icon joining their party was not something they bargained for and at least one cowboy convinced himself it was the weed. We had to call the image The Unusual Suspects...

Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper The Residents Montana, USA - 2022 The intricate layout for this picture was preconceived before I went to bed the previous night. I knew that as soon as the sun rose above the buildings the light would be too harsh to work and that there could be no time for compositional pondering during the shoot. The camera angle needed flat light not aggressive shadows and the weather forecast suggested that we would need to be finished no later than 8.15 am. So, it was cold conditions when the cast began assembling at 6.15am. Josie...