Abi Polinsky

The Very End of the Night by Abi Polinsky, Represented by Tuleste Factory

2022

Ire by Abi Polinsky 2022 W 44" x H 59" — Unframed. Signed limited edition of 5. — Please contact us for shipping quotes and customization options. S...

Flora the Goddess of Flowers by Abi Polinsky 2022 W 44" x H 58" — Unframed. Signed limited edition of 5. — Please contact us for shipping quotes and customization options. Ship...

No Way Out by Abi Polinsky 2022 W 17.5" x H 20" — Unframed. Signed limited edition of 5. — Please contact us for shipping quotes and customization opt...

Broken Dream by Abi Polinsky 2022 Broken Dream plays with the notion of photography as a mechanical reproduction of fact. The double exposure and surre...

Inferna by Abi Polinsky 2022 L 30" x H 40" 76.2 cm x 101.6 cm — Unframed. Edition 1 of 1 for each size. 30" x 40" 45" x 60" — Please contact us for shipping quotes and cu...

Sunk by Abi Polinsky 2022 L 30" x H 40" 76.2 cm x 101.6 cm Drawing from his experience in fashion photography, Polinsky creates captivating portraits. — Unframed. Edition 1 o...

"Caroline (LED)" Photography 40" x 30" in Edition 2/3 by Larsen Sotelo *** Not framed - ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish ...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

"fkaTwigs" Photography 40" × 30" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selecti...

DIETRICH MOOD 2011 From “Portraits” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 80X60 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 40X30 Print run 10+2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

PAOLO SORRENTINO 2011 From “Portraits” project Print run 11+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 60X80 11 +2PA (plexiglass on alluminium dbond 3mm) CM 30X40 8/11 +2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...