Cecilia Paredes

Vuelo Azul (Blue Flight)

2021

This piece is a reference to the Greek naiad Daphne. There are several versions of the myth in which she appears, but the general narrative, found in Greco-Roman mythology, is that due to a curse made by the fierce wrath of the god Cupid, son of Venus, on the god Apollo...

This piece is named after the eponymous Greek naiad. There are several versions of the myth in which she appears, but the general narrative, found in Greco-Roman mythology, is that due to a curse made by the fierce wrath of the god Cupid, son of Venus, on the god Apollo...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...

“I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...

Urs Lüthi with his various alter egos and androgynous self-portraits raises questions about identity through the use of the body. Faces uncertain between masculine and feminine, bodi...

Lüthi plays with the playful and tragic aspect of the human being, shows his body and that of the audience in front of his photographs

Urs Lüthi has focused his research on the theme of identity, often using his own image at the centre of his work