Markus Klinko

David Bowie Heathen (Framed)

2002

Terrence Stamp and Jean Shrimpton - the ‘faces of the 60s’. London, 1964. TITLE: TERRENCE STAMP AND JEAN SHRIMPTON 1964 FRAMED IN ANTI-GLARE ARTGLASS / BLACK FRAME FULLY FRAMED SIZE...

Marylin Monroe relaxes on a couch in her hotel room at the Ambassador Hotel in New York City. TITLE: MARYLIN QUIET MOMENT 1955 PHOTO: ED FEINGERSH PAPER: SILVER GELATIN RESIN PRINT...

Eric Clapton photographed in Surrey, 1993. TITLE: Eric Clapton PHOTO: Terry O’Neill SIGNED LIMITED LIFETIME EDITION 20/50
 PAPER: SILVER GELATIN FIBRE PRINT FULLY FRAMED: 26.8 x 27....

Casablanca - Original 1942 photograph Vintage 1942 Casablanca Lobby Card: A cynical expatriate American cafe owner struggles to decide whether o...

Capucine French actress Capucine fanning herself at a New Years Eve party held at Romanoffs in Beverly Hills. Photo by Slim Aarons. Printed 2022. Silver gelatin print Paper size ...

'Astaire And Luce' by Houston Rogers (1901-70) Fred Astaire (1899-1987) and Claire Luce (1903-89) in ‘The Gay Divorce’, 1932. © Victoria and Albert Museum, London Paper size 24 x 20 inches / 60 x 50 cm Printed in 2022 - produced from the original transparency Silver Gelatin Fibre Print Galerie Prints is proud to share with you our curated selection of 200 Victoria & Albert Museum photographic prints. From this world-renowned collection, we have selected images from their fashion, architecture, theatre, and performance archives. All V&A images are uniquely produced as black and white silver gelatin and archival pigment prints. Galerie Prints’ premium quality prints are then made to order. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time. Over his career, he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi, and Joan...

“I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Richard Lebowitz, b. 1937, American, (RISD Faculty 1964-1995, Photography; Professor Emeritus) Tom Young, b. 1951, American, (RISD MFA 1977, Photography) TIT...

World Series Win, New York City, 1954 by Leonard Freed, is a 14" x 11" gelatin silver later ("lifetime") print, signed on verso (back of print) by the ...

The image capturing African-American life in Harlem in the 1960s, Mr. Harlem, 1963 by Leonard Freed, is a 14” x 11” black-and-white photograph from the photographer's book Black in W...

Woman Protestor, March on Washington, 1963 by Leonard Freed, is a 14" x 11" gelatin silver photograph, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is in Leonard Freed's book “This Is the Day: The March on Washington'' (p. 50). Leonard Freed enjoyed documentary storytelling and as a "concerned photographer" his work demonstrated humanitarian concerns. The photographer travelled to New York, Washington, D.C., and throughout the South, capturing the daily life of African-Americans. Documenting the 1960s Civil Rights Movement from the East Coast to the Deep South, Freed’s photo essay culminated in the book Black in White America, which contributed to Freed's becoming one of the well-known documentary photographers of 20th Century America. After Freed’s death in 2006 his widow, Brigitte Freed was inspired to compile a book on the March on Washington from her late husband’s archive when she heard then-Senator former President Barack Obama remark to an audience of civil rights activists, “I stand here because you walked.” The March on Washington series is a powerful visual testimony, capturing protests that culminated in Dr. Martin Luther King Jr.’s “I Have a Dream'' speech, delivered at the base of the Lincoln Memorial. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...