Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Mario Giacomelli
Natura Morta/Still life, 1960-70, Fotografia Bianco e nero, Stampa vintage

1960-70

More From This SellerView All
  • Wagenfeld Sunsets I-VI, 376 B3, 2019, Lampada, Bauhaus
    By Jonathan Monk
    Located in Milano, IT
    Jonathan Monk, Wagenfeld Sunsets I-VI, 376 B3, 2019, cm 61 x 47 x 0.2 Firmata e datata con matita sul retro. Provenienza: Collezione privata, Italia Stato di conservazione: Ottimo. ...
    Category

    2010s Minimalist Color Photography

    Materials

    Inkjet

  • Gezeitenkraft, 2020, Digital Print, Photography, Performance
    Located in Milano, IT
    Stefano Cagol, Gezeitenkraft, From the series "The Time of the Flood," 2020, Fine art print on Hanemüle Archival paper, 40 x 50 cm, Signed, dated and numbered in pencil on front, Ed...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Photographic Paper, Color

  • Moon Catcher, 2007, Fotografia notturna, Fotografia contemporanea
    Located in Milano, IT
    Giclée print on baryta paper by American artist Tim White-Sobieski, is a 2007 photograph part of the "Closer To Fall" series. Mostre: - The Phair 2023, May 5-7, Turin. - The Memo...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Giclée

  • Hasengrab II, 1982, Color print, photograph, conceptual
    By Joseph Beuys
    Located in Milano, IT
    Joseph Beuys, Hasengrab II, 1982, Color print on paper, 15 x 10.5 cm (paper), 27 x 22 x 3.5 cm (Frame), signed on front, Staeck Edition, Heidelberg. Bibliography: J. Schelmann: S. ...
    Category

    1980s Conceptual Color Photography

    Materials

    Postcard, Color

  • Wrapped Monument to Victor Emmanuel, 1973, Photolithography, Land Art
    By Christo and Jeanne-Claude
    Located in Milano, IT
    Christo and Jeanne Claude, Wrapped Monument to Vittorio Emanuele, Piazza del Duomo, Milan 1970., 1973, Photograph by Harry Shunk, Publisher: Attilio Codognato, Venice., Photolithogra...
    Category

    1970s Land Color Photography

    Materials

    Photographic Paper, Color, Lithograph

  • The Stanhope Object, 1978, Postcard, conceptual
    By Joseph Beuys
    Located in Milano, IT
    Joseph Beuys, The Stanhope Object, from 'Joseph Beuys Postkarten' series, 1978, 10.5 x 14.5 cm (postcard), 17.5 x 30.5 x 2 cm (frame), signed in red marker on front Staeck Edition, H...
    Category

    1970s Conceptual Color Photography

    Materials

    Postcard

You May Also LikeView All
  • Still Life with Mouse, New York
    By Irving Penn
    Located in Carmel-by-the-Sea, CA
    Signed, titled, dated and copyrighted 1983 on back of print. Stamped, 'Signed silver print of this negative not exceeding' and 78 written in pencil on back of print. Annotated, 'Copy...
    Category

    20th Century Black and White Photography

    Materials

    Silver Gelatin

  • Nautilus Shell, Ipswich, MA 1960
    By Paul Caponigro
    Located in Santa Fe, NM
    Paul Caponigro, Nautilus Shell, Ipswich, Massachusetts, 1960 (Printed 1961). vintage gelatin silver print. 10 x 8", signed on mount recto.
    Category

    Mid-20th Century Black and White Photography

    Materials

    Silver Gelatin

  • Dried Sunflower, Winthrop MA
    By Paul Caponigro
    Located in Santa Fe, NM
    Paul Caponigro, Dried Sunflower, Winthrop MA, 1965. 10 x 8". Vintage gelatin silver print. Signed mount recto.
    Category

    Mid-20th Century Black and White Photography

    Materials

    Silver Gelatin

  • Two Pears, Cushing Maine
    By Paul Caponigro
    Located in Santa Fe, NM
    Paul Caponigro, Two Pears, Cushing, ME, 1999. Signed on mount recto.
    Category

    1990s Still-life Photography

    Materials

    Silver Gelatin

  • Galaxy Apple, New York City
    By Paul Caponigro
    Located in Santa Fe, NM
    Paul Caponigro. Galaxy Apple, New York City, 1964. Gelatin silver print. Signed on print mount recto.
    Category

    Mid-20th Century Still-life Photography

    Materials

    Silver Gelatin

  • Phone Bank
    By Ted Adams
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Silver Gelatin

Recently Viewed

View All