Bob Pardo

Bent over Backwards ( Artist Proof )

Late 20th Century

Bob Pardo (American), "Untitled", Abstract Screen Print Serigraph, 34 x 23, Late 20th Century Colors: Red, Blue, Yellow, Purple

Artist: Bob Pardo Title: Belly Dancer II Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 131/150 Size: 22 x 29.5 inches [55.88 x...

Bob Pardo, "Untitled" Artist Proof, Abstract/ Pop Serigraph Screen Print signed and numbered in pencil, 31.50 x 25, Late 20th Century Colors: Purple, R...

Michael Kelly Williams, "Afternoon Of A Georgia Fawn" (Artist Proof), Abstract Figurative/ Portrait Lithograph signed in pencil, 30 x 44, 1982, Late 20th Century Colors: Black, Grey...

George Stauch (American b. 1900), " Terrye's Daughters" Edition 298/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century, ca. 1980 Colors: Blue, White, Red, B...

Unknown/ Unidentified Artist, "Familie" Edition 34/100, Abstract Figurative Lithograph signed and numbered in pencil, 15.25 x 21, Late 20th Century, 1967 Colors: Red, Blue, Yellow, ...

Lithograph on Black Fabriano paper. Signed by the artist and dated 1970 lower right in pencil; numbered 59/68 lower left in pencil. This electric blue image of a neon sculpture was d...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Original poster: a l'Arc Musee d'art Moderne; artist Robert Combas; lithograph, 1984, excellent condition. Ready to frame. Year: 1984. Size 24.87" x 32.12" Artist: Robert Combas This poster is also known as the Cat or "Le Chat". Vintage original poster...

A very good impression of this color offset lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper. Signed and numbered 190/300 in pencil. Printed by Color...

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

A very good impression of this early color offset lithograph. Signed in pencil by Lichtenstein. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Catalo...