Carlos Andrade

Untitled

2015

"Echolocation Three" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Three" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation Four" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Four" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation Two" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Two" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation One" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation One" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation Green" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Green" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation Brown" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Brown" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Oil Monotype w/ Wool Fiber, Japanese Paper, Ink Transfer, Clothing Tag, Metal Leaf and Coffee Hand pulled on white BFK Rives Printmaking Paper Edition: Unique

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Leaf collagraph with embossing on white BFK Rives Printmaking Paper. Approx. image size: 3" x 3" Paper size: 10" x 8" At the core of the dialogue between the artist and the work ...