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Chuck ElliottLyric SV / cerulean wave2017
2017
About the Item
Lyric SV / cerulean wave is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 24 prints, plus 2 APs
Image size ⋅ 88cm H x 72.2cm W
Sheet size ⋅ 100cm H x 82.2cm W
.
Lyric SV is a systematic variation of the original Lyric geometry, using a new process led idea to create a more liquid treatment, that breaks up the linework with a far more painterly style of abstraction, hopefully without losing too much of the original rhythm that flows through the piece.
The blue edition takes its palette from Hokusai’s wave of course, whilst the orange piece is altogether wilder and more subconscious. There’s an inevitable reference to the amazing electronic music of Tangerine Dream too, synthesised music that seems as extraordinary today as it did when I first stumbled across it back in the eighties.
I love the idea of using the digital systems to remix and reinvent pieces, in much the same way that a contemporary musician might remix a track for a particular band. It’s an idea that I’m going to explore further over the coming years...
- Creator:Chuck Elliott (1967, British)
- Creation Year:2017
- Dimensions:Height: 39.38 in (100 cm)Width: 32.29 in (82 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454542
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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