Coco Ronkholz

ZERO Gruppe, Original Exhibition Poster, 1970, Galerie Denise Rene Hans Mayer

1970

Original poster for the exhibition "ZERO in Krefeld" at Galerie Denise Rene Hans Mayer from 10 October to 14 November 1970. The ZERO artist group, founded in the late 1950s in Germ...

Serge Poliakoff Composition bleu et verte, 1963 Lithograph on paper 10 3/10 × 12 4/5 in 26.2 × 32.5 cm Edition of 200: Hand-signed in pencil Original (double-sided) greeting card f...

Orignal poster for Max Bill's exhibition "Grafiken aus 30 Jahren" at Galerie Design 1 in Hamburg in 1970.

Günther Förg (German, 1952-2013) Coda, 1996-98 Medium: Three etchings on Rives BFK rag paper Dimensions: 50 × 40 cm (19 7/10 × 15 7/10 in) Edition of 60: Hand-signed and numbered (ea...

Original silkscreen poster for Fred Sandback's exhibition at Galerie Reckermann, Cologne, March 12–April 15, 1971. Catalogue raisonné: 1970.01

André Butzer (German, b. 1973) Untitled, 2019/2022 Medium: Etching in colors on wove paper Dimensions: 33 x 43 cm Edition of 15: Hand-signed, numbered and dated in pencil Condition: ...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

Bernard Séjourné Chateau Mouton Rothschild Wine Label (Hand Signed & Inscribed), 1989 Wine Label Print Signed “To John A. Powers, Chairman, To my dea...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph poster Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scul...

Josef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

Helen Frankenthaler Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982 Offset lithograph poster (Hand signed by Helen F...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertical) × 22 1/2 inches (horizontal) Edition of 2000 (uniquely signed) Published by Sean Scully and Galerie LeLong Unframed Official offset lithograph poster designed and created for the tennis tournament held at Roland Garros French Open every year. This print was published in a limited edition of 2000, but the regular edition was unsigned. However, exceptionally, Sean Scully hand signed this one in ink directly under the plate signature. Very rare when hand signed and dated by the artist. As it was personally signed by Sean Scully for the present owner in 2023, the provenance is direct. A collectors item for all fans of Sean Scully and the French Open! More about Sean Scully: Sean Scully was born in Dublin in 1945, and grew up in the south of London, where his family moved in 1949. He began painting in the late 1960s, and moved to New York City in 1975; he became an American citizen in 1983. Scully has shown extensively, both nationally and internationally, including, most recently, at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., Yorkshire Sculpture Park, West Bretton, England, the State Russian Museum, St. Petersburg, Russia, the Wadsworth Atheneum, Connecticut, the National Gallery of Art in London and San Giorgio Maggiore for the Venice Biennale, Upcoming solo exhibitions include the Albertina, Vienna, and in 2020 a major retrospective at the Philadelphia Museum of Art. He is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully’s simplification of his compositions and use of repetitive forms—squares, rectangles, bands—echoes architectural motifs (doors, windows...