Items Similar to Cobra Artist 1950s Silkscreen Serigraph Bright Colorful Abstract Hand Signed
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Erling JorgensenCobra Artist 1950s Silkscreen Serigraph Bright Colorful Abstract Hand Signed1957
1957
About the Item
Small vintage hand signed and dated graphic. limited edition.
Erling Jørgensen, 1905-1977 Born in Denmark, self taught artist. painter and graphic. print-maker. Danish painter and graphic artist. Jørgensen was autodidact and painted first in a naturalist style, but inspired by the Cobra painters, Svavar Gudnason and others, he gradually developed a fabulous style of abstract expressionism. For example, his contribution to the decoration of Bregnerødhytten (1949, now Sophienholm) and Painting (1966, Nordjyllands Kunstmuseum). Jørgensen was co-founder and member of the Spiral from 1947, of PRO 1964-66 and of the Colorists from 1967. He received the Eckersberg Medal in 1970. He worked in an Abstract Expressionist style infused with bold colors. known for his silkscreen, lithograph and serigraph works. Erling Jørgensen adapted in early 1940, after preliminary experiments in light naturalist style, the ruling abstract form of the time with emphasis on the colouristic expression. The early images feature a detail of abstract elements and organic shapes, often with surrealist undertones. The color is applied with dense pastes, which make the whole appear as a color-saturated substance with a plastic character. Over time, the compositions simplify into a clearer and more stringent form, sometimes composed of fewer elements and in a clean and clear color scheme. The character of these images alternates between the spontaneously abstract, mastery, geometric floral painting and vitality of the kaleidoscopic pattern images. In connection with the Cobra group's meetings, he participated in the decoration of the lofty areas in the Bregnerød cabin (now on Sophienholm). He was a member of the Spiralen Association of Artists, which in the 1950s was a gathering place for a number of individualistic painters.
Travels, trips to Paris, South France and Amsterdam.
Awards: Poul S. Christiansen 1963; Eckersberg Med. 1970; State. Kunstfonds 1970, 1975-77.
Exhibitions
KE 1944-46; Spirals 1947-49, 1952-58, 1966, 1978; May-equ. 1952; The Colorists 1952, 1968-78; Charleville. Eft. 1963; Charleville. Spring 1963-71; Pro 1964-66; Critics' choice of current north. art, Lunds Konsthall 1967-68; Ars Baltica III, Gotlands Fornsal 1968; Arts & Crafts aus Dänemark, Mus. Wiesbaden 1970. Separate exhibitions: Gal. Hybler, Kbh. , 1962; Kunstforen., Kbh. 1970th
Artworks
Composition (3 pieces, 1947, 1949, 1954, Herning Kunstmus.); Field of the Cobra Ceiling (1949, Sophienholm); Self Portrait (1949, State Music for Art); Strib II (1955, smst.); Figure in landscape (1960, Herning Kunstmus.); Landscape (1960, Esbjerg Kunstmus.); Abstract landscape (1961, smst.); Untitled (1963, Herning Kunstmus.); Painting (1963, State Music for Art); Painting III (1964, smst.); Painting (1966, Nordjyll. Artmus.); Painting VIII (1968, smst.); Painting X (1968, Skive Kunstmus.); Untitled (1969, Herning Kunstmus.); Painting II (1970, Nordjyll. Kunstmus.); Painting I and II (1975, smst.); Composition (1977, Herning Kunstmus.).
Literature
P. Jølting in: Art, 5, 1960, 131f; V. Damage: EJ and his painting, 1964; G. Jespersen: The Abstract, 1967; V. Damage in: Colourists, cat. 1968; same in: Art, 7, 1970, 160-64; same: Collage of an artist, EJ, 1985; Hugo Arne Buch i: The Colourists, Cat. 1978; Jens Jørgen Thorsen: Modernism, 1987. Danish artist associated with the Concrete Art movement and with the Cobra art group. (Asger Jorn, Karel Appel, Mogens Hertz, Kai Lindemann, Viggo Christian Pedersen, Mogens Balle, Kay Christensen, Lars Dan, Robert Jacobsen, Henry Heerup, Guillaume Corneille.)
Museum exhibitions:
Frederikshavn Kunstmuseum
Nordjylland Art Museum
- Creator:Erling Jorgensen (1905 - 1977)
- Creation Year:1957
- Dimensions:Height: 7.5 in (19.05 cm)Width: 5.5 in (13.97 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213611572
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,555 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Set of Eyes, Color Lithograph, Belgian Abstract Expressionist Tamarind PrintBy Dirk de BruyckerLocated in Surfside, FLSigned, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute pri...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Archival Paper
- Le masque à gaz, Gas Mask Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLLe masque à gaz, 1971, edition of 300. Signed "Arman" in pencil l.r., numbered in pencil l.l. Lithograph in purple and gold on paper, image size 25 3/8 x 19 3/8 in. (64.3 x 49.0 cm),...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- 1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA ArtistBy Konrad CramerLocated in Surfside, FLKonrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer. Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design. Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937). In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff...Category
1940s Abstract Abstract Prints
MaterialsLithograph
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Triptychos Post Historicus Picasso Conceptual Art Silkscreen Gold LithographLocated in Surfside, FLBraco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...Category
1980s Conceptual Still-life Prints
MaterialsLithograph, Screen
You May Also Like
- Colorful Abstract Composition - LithographBy (After) Serge PoliakoffLocated in Collonge Bellerive, Geneve, CH(after) Serge Poliakoff - Colorful Abstract Composition - Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Serge ...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Serge Poliakoff - Original Abstract Composition - LithographBy Serge PoliakoffLocated in Collonge Bellerive, Geneve, CHSerge Poliakoff - Colorful Abstract Composition - Lithograph Published in the deluxe art review, XXe Siecle 1961 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Serge Poliakof...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Abstract Expressionist Flower, mid century modern, famed Chinese artist SignedBy Walasse TingLocated in New York, NYWalasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inches...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Pencil
- Chris Keegan, Blue Gemstone, Limited Edition Print, Still Life Print, Happy ArtBy Chris KeeganLocated in Deddington, GBChris Keegan Blue Gemstone Limited Edition Silkscreen Print Edition of 50 Size: H 42cm x W 30cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of h...Category
21st Century and Contemporary Abstract Expressionist Still-life Prints
MaterialsPaper, Screen
- Poppy 10By Mary KnowlandLocated in Deddington, GBMary Knowland. Poppy 10- this is a poppy print in acrylic paint made in 2014 as part of a series of works It is a unique mono print Signed bottom right Mary Knowland 2014 This work i...Category
2010s Abstract Expressionist Still-life Prints
MaterialsPaper, Monoprint
- Target with Plaster Casts (Black & White)By Jasper JohnsLocated in Miami, FLTECHNICAL INFORMATION Jasper Johns Target with Plaster Casts (Black & White) 1980-1989 Drypoint etching and aquatint 31 1/8 x 24 1/8 in. AP IV/XVI Pencil...Category
1980s Abstract Expressionist Abstract Prints
MaterialsDrypoint, Etching, Aquatint