Fernand LégerLiberté j'écris ton nom, by Paul Eluard1953
1953
About the Item
- Creator:Fernand Léger (1881-1955, French)
- Creation Year:1953
- Dimensions:Height: 12.01 in (30.5 cm)Width: 44.89 in (114 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:As shown in the photos, there is visible small tears and problems with the edges and creases.
- Gallery Location:Wilton, CT
- Reference Number:1stDibs: LU1362213478772
Fernand Léger
A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives.
Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards.
Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art in favor of simple studies of people. Their boldly outlined forms, placed against a bright background, can be regarded as an assemblage of parts — yet in these representations of dancers, acrobats and folks on bicycles, Léger seems to be articulating a kind of kinship and affection. You will see from the works on offer why Fernand Léger is often regarded as the warmest and most humane of the great modern artists.
Find a collection of original Fernand Léger art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Wilton, CT
- Return PolicyThis item cannot be returned.
- La Comedie Humaine VIIIBy Pablo PicassoLocated in Wilton, CT"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...Category
1950s Cubist Abstract Prints
MaterialsLithograph
- KlängeBy Wassily KandinskyLocated in Wilton, CTKlänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...Category
1910s Post-Impressionist Abstract Prints
MaterialsLithograph
- Les Revolutions Sceniques Du XXE Siecle I & IIBy Joan MiróLocated in Wilton, CT2 Lithographs included Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Revolutions Sceniques du XXe Siecle - I & II (Cramer 207) Year: 1975 Medium: Lithograph Image Size: 12 x 1...Category
1970s Abstract Prints
MaterialsLithograph
- Cartones Plate 1By Joan MiróLocated in Wilton, CTFrom Miro's Cartones. numbered 203/500 From Galerie Maeght, Paris.Category
1960s Surrealist Abstract Prints
MaterialsLithograph
- CartonesBy Joan MiróLocated in Wilton, CTnumbered 64/180. Published by Atlantis Art Verlag FreiburgCategory
1980s Surrealist Abstract Prints
MaterialsLithograph
- Lithographe IIIBy Joan MiróLocated in Wilton, CT1 pint from the Lithographe III suite. unsigned.Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- 1956 Fernand Leger Mourlot Exhibition PosterBy Fernand LégerLocated in Wilton Manors, FL76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...Category
Mid-20th Century Cubist Abstract Prints
MaterialsPaper, Lithograph
- Thomas Dembovsky (sp?), (Cubist Musician)Located in New York, NYThis full-on view of a musician and his bass (also known as an upright bass or string bass), has an air of calm befitting the lowest-pitched bowed instrum...Category
1930s Cubist Interior Prints
MaterialsLithograph