H. Lawrence Hoffman

1969 Monoprint by H. Lawrence Hoffman, Signed

1969

Leonard Baskin (1922-2000) Untitled, Late 20th Century Woodcut Framed: 32 x 24 1/4 x 1/4 in. Edition 26/50 Signed and numbered lower right A highly respected draftsman, printmaker, ...

Mary Chenoweth (American, 1918-1999) Untitled, 20th Century Collage and pen on paper Sight: 11 7/8 x 9 in. Framed: 15 1/2 x 12 1/2 x 3/4 in. Signed lower right: Chenoweth Numbered lo...

Lanny Lasky (1923-2011) Untitled, c. 1970s Print (lithograph?) Sight: 22 1/4 x 17 1/2 in. (image) Framed: 30 1/2 x 22 1/2 x 1 1/2 in. Signed lower right, numbered lower left: 113/120 Lasky was as passionate about making art accessible to all as she was about creating it. She devoted much of her time to art education — as an education director for the Hudson River Museum, at the Lincoln Center Institute and the Bronx Council on the Arts. She was a consultant to the New York State Council on the Arts and the Connecticut State Department of Education and worked in many capacities, including director at the Museum of Modern Art’s education department from 1986 to 2001. Lasky brought art to countless Riverdale children and senior citizens through her work with Riverdale Neighborhood House. “Throughout her life she was always committed to her work as an artist, but she was also seriously committed to art education and that was important,” her son, Michael Lasky, said. “She worked toward innovative art programs and had the kids paint...

Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...

Paula Clendenin (American, b. 1949) Untitled, 1983 Lithograph Sight: 30 x 22 1/2 in. Framed: 44 3/4 x 34 3/4 in. Numbered, titled, dated and signed bottom: 1/15 / "The Things That Matter" / 83 Artist Paula Clendenin was born June 22, 1949, in Cedar Grove, Kanawha County. She has earned national acclaim for her paintings: richly colored, textured shapes that merge West Virginia’s mountain...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

Wyona Diskin, American (1915 - 1991) Blue Man with Fish Monoprint, Signed on the back lower left. Unframed. Signs of color remain from printing on the white ...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose ...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

Robert Natkin Untitled, ca. 1979 Monotype with heart drawing Hand signed twice; inscribed to Dorothy and Arthur with text and heart Unique Original vintage frame included Measurement...

"Bouquet (blood orange, rose)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...