Ilan Hasson

"The Tower of Babel" Yellow, Blue, and Green Geometric Abstract Lithograph

1989

Abstract lithograph of a float red ball and amorphous white shape against a surreal background. Signed by unknown artist in lower right corner. Hung in complimentary brown wooden fra...

Deep tonal abstract lithograph of a landscape. The work is signed, titled and editioned by the artist. The work is framed in a gold frame with a white matte. The work is by Cora Pasz...

Blue, orange, and yellow abstract impressionist landscape by Houston, TX artist Henri Gadbois. The painting depicts a sunset with blue and orange skies in a mountainous landscape. Si...

Red toned abstract woodcut monoprint by Japanese printmaker Joishi Hoshi. This work is a fantastic example of Hoshi's iconic interlocking web of bare trees. Signed and dated by artis...

Blue and gray toned abstract landscape digital print by Ohio artist Timothy O'Toole. This whimsical print depicts a reflective body of water along a horizon. This piece is edition 37...

Woodcut print of fall trees done in heavy blacks with a deep blue background titled "Autumn" edition 10/100. Signed and titled by artist. Artist Biography: Eugene Larkin was born into a farming family of seven children in rural Minnesota in 1921. The landscape and rhythms of agricultural life were a strong early influence, as was the artistic example of his painter mother, Martha. Larkin attended the University of Minnesota, graduating with an M.A. in 1947. As a student of the art historian Lawrence Schmeckebier, an authority on the art of the Mexican muralists, he was soon introduced to the expressionism and political engagement of German and Mexican artists of the 1920s and 30s. An early cycle of prints and drawings on the life of labor activist Joe Hill...

These colorful, exuberant and expressionistic works depict a series of hand-drawn Miami beach and tourism postcards in various states of permutation and collapse, at times curling in on themselves and dissolving into glorious, saturated scribbles, the final piece printed with shimmering silver in twenty nine colors. The Arles reference (inspiration for much of Van Gogh's work, and home at various points to Picasso, Gaugin, and Jacques Réattu) reveals Morley's penchant for art history reference in his art. Malcolm Morley, Arles/Miami, 1973. A portfolio of five lithographs. All stones and plates were drawn by the artist and the editions pulled at the Shorewood Atelier in New York. Each edition consists of 150 lithographs on Arches paper plus 25 Artist's Proofs on Rives BFK paper. Portfolio 63/150. Shorewood Atelier. Each lithograph is signed and numbered in pencil by the artist. A copy of this portfolio is in the collection of MoMa, New York, Yale University Art Gallery, Connecticut, Harvard Art Museums, Boston, Minneapolis Institute of Art Collection, Minneapolis, and Brooklyn Museum, Brooklyn. "MIAMI SILVER" - Twenty-one colors printed from five stones and one plate. 23¼" × 34. "MIAMI POSTCARD...

Title: Paintings and Drawings Year: 1991 Medium: Lithograph on premium paper, exhibition poster Size: 39 x 26 inches Condition: Excellent Notes: Published by the Leo Castelli Gallery...

Artist: After Helen Frankenthaler (1928-2011) Title: Mary Mary (Lincoln Center Honorary) Year: 1991 Medium: Offset lithograph poster on extra thick Somerset paper Edition: 2000 Size...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although the stated editi...

Helen Frankenthaler Frankenthaler: The Darker Palette (Hand signed twice and inscribed), 1998 Offset Lithograph poster 42 × 35 in hand signed "Frankenthaler" lower left; inscribed an...

Paul Aizpiri was a painter and sculptor born in 1919 in Paris, France to an Italian mother and a father from the Basque Country, Spain. His signature compositions always had a touch...