Jill Moser

Mobius (Abstract print)

2012

Lithograph - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the collections...

Lithograph - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the collections o...

Virga (Abstract print) Lithograph - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her wo...

Mobius (Abstract print) Lithograph - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her wor...

Mobius (Abstract print) Lithograph - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her wor...

Virga (Abstract print) Lithograph - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her wo...

Lithographie originale en 8 couleurs, édition en 99 exemplaires sur papier Arches, 26 épreuves sur papier Japon et 25 épreuves d'artistes. Epreuve signée et datée 98, numérotée 28/99...

African Mask Lithograph by French 20th century signed Limited edition this being number 4 of 20 and signed by the artist In good vintage condition having always been framed with just...

Lithograph by Alain Le Foll 1934-1981 Number 71 of 150 examples hand signed by the artist Unframed in very good condition with one very small tear on one edge that doesn't affect the image and won't show when framed In the 1970s he produced designs for Rosenthal Studio Line Porcelain which were typical of his distinctive style Alain Le Foll in his lithographic art gained an international reputation for his highly charged, surrealist imagery This is printed on smooth, archival paper in an edition of one hundred and fifty impressions. It is signed and numbered by Alain Le Foll in pencil A twentieth century French artist, Alain Le Foll studied art techniques at the Beaux-Arts Academy in Caen. He moved to Paris shortly after completing his studies and began exhibiting his original lithographs in international exhibitions in Paris, Dijon, Basel, Dusseldorf, Cologne, Cracovie, Florence, Washington, D. C. and Tokyo. Alain Le Foll began teaching at the Ecole Nationale des Arts Decoratifs, Paris, in 1964 and remained there until his untimely death in 1981. Alain Le Foll was equally famous for his lithographs and for his contributions to the book arts. During the 1960's and 1970's he illustrated many works by the author, Claire Nadaud, including, Moise, Jesus nous donne le pain, Les trios arbres du Samourai and Sinbad the Sailor. In 1965 he received the diploma 'Meilleur Livre Loisirs Jeunes' for his illustrative...

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition o...

Joan Miro Spanish, 1893-1983 Poster For The Exhibition Serie Mallorca Lithograph in colors 28 by 22 in. W/frame 34 by 28 in. Pencil signed lower right...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...