Louis Marcoussis

Un Reve

1930

Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 202, only state. From the editio...

Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...

Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...

Andre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, dated (30/7/61) and  inscribed “pour Louis Broder epreuve d’artiste.” Reference: S...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Sybil Andrews (1898-1992), Sails, linocut in colors, 1960, signed (twice), titled, and inscribed “TP” in pencil. Reference: White 50. In good condition, two sheets, each image 7 1/...

Hand-coloured etching

ZAO WOU-KI 1921- 2013 Beijing 1921 - 2013 Switzerland (Chinese) Title: Venice Venise, 1951 Technique: Original Hand Signed, Dated and Numbered Etching on BFK Rives Wove Paper Pap...

Image dimensions: 5 x 6.5 cm. Grey Grammature is contemporary artwork realized by Elio Marchegiani and published in 1973 by La Nuova Foglio. Colored etching. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left by the artist. Edition of 68/100. In good conditions. This contemporary print belongs to the series Grammature di colore realized by the artist during the 1970s. The artwork is composed of a white square shape inside which there is a small gray triangle at the bottom left. The "Grammature di colore" is an abstract geometric synthesis of the Italian fresco, which remains a constant research reference. A "Grammatura di colore" is currently on display in the Italian Contemporary Art Collection at the Farnesina (Ministry of Foreign Affairs, Rome); two Grammature of color (on plaster and on blackboard) are exhibited at the GNAM in Rome, in the hall of the '900, and again at the' Museo del 900 'and at the' Cantiere del '900' Gallerie d'Italia in Milan. Elio Marchegiani (Siracusa, 1929) He began to paint by himself, but it was the meeting with Mario Nigro, the knowledge and friendship with Gianni Bertini...

Image dimensions: 6.5 x 6.5 cm. Grammature is an original print etching realized by Elio Marchegiani and published in the1970s by La Nuova Foglio, Macerata. Colored etching. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left by the artist. Edition 11/100. Good conditions. This analytic print belongs to the series Grammature di colore realized by the artist during the 1970s. The artwork is composed of a little white square shape in the center in which the spectator can see a pink clove. The "Grammature di colore" is an abstract geometric synthesis of the Italian fresco, which remains a constant research reference. A "Grammatura di colore" is currently on display in the Italian Contemporary Art Collection at the Farnesina (Ministry of Foreign Affairs, Rome); two Grammature of color (on plaster and on blackboard) are exhibited at the GNAM in Rome, in the hall of the '900, and again at the' Museo del 900 'and at the' Cantiere del '900' Gallerie d'Italia in Milan. Elio Marchegiani (Siracusa, 1929) He began to paint by himself, but it was the meeting with Mario Nigro, the knowledge and friendship with Gianni Bertini...

Grammature Di Colore is an original print realized by Elio Marchegiani in the 1970s. Colored etching. Good conditions, except for a fold on the lower right corner. Hand-signed in p...

Grammature Di Colore is an original print realized by Elio Marchegiani in the 1970s. Colored lithograph. Good conditions, except for some foxings. The artwork is hand-signed in pen...