Items Similar to Settlement - Woodcut Print by Mario Molli - Late 20th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Mario Molli Settlement - Woodcut Print by Mario Molli - Late 20th CenturyLate 20th Century
Late 20th Century
About the Item
Settlement is an original woodcut print realized by Mario Molli (1932-2008).
The little artword is on a yellowed cardboard, hand-signed by the artist on the lower left corner, in good conditions with a little pencil note on the back.
Mario Molli was born in Florence in 1932, he studied at the Art Institute of Porta Romana in Florence, he dedicated himself to the many aspects of artistic creation: painting, sculpture, graphics, ceramics, nor can we forget the activity of set designer, with directors like Visconti and Castellani.
- Creator:Mario Molli
- Creation Year:Late 20th Century
- Dimensions:Height: 6.5 in (16.5 cm)Width: 4.53 in (11.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,813 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Fleur Alarmée pour Arp - Woodcut by Michel Seuphor - 1969Located in Roma, ITHand signed and numbered. Edition of 140 prints. Image Dimensions: 20x15 cm. Good conditions.Category
1960s Contemporary Abstract Prints
MaterialsWoodcut
- The Star - Woodcut by Arturo Peyrot - 1960sBy Arturo PeyrotLocated in Roma, ITThe Star is an original woodcut artwork realized by the artist Arturo Peyrot. Good conditions. Signed. The artwork represents a star, skillfully expressed through confident and qu...Category
1960s Contemporary Abstract Prints
MaterialsWoodcut
- Night Sun - Woodcut on Canvas by Laura D'Andrea - 2000sBy Laura D'AndreaLocated in Roma, ITNight Sun is an original artwork realized by Laura D'Andrea. Xilograph on canvas. Signed by the artist on the lower right margin. Perfect conditions. The artwork represents a circular shape surrounded by an abstract composition. The technique is very unique: xilograph on canvas; the artist uses only two colors for this piece: black and gold. In the center, there is a black sun. The composition instills a sense of serenity, but also of mystery. The artwork is reminiscent of the Mediterranean culture. Laura D'Andrea travelled frequently through the Mediterranean lands: her artworks, indeed, express a great sensation of freedom and a focused interest in oriental cultures. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily where she currently lives and works. She studied printing and xylography at the Academy of Fine Arts of Rome and Urbino and Philosophy and Literature at the University of Grenoble. His first exhibition has been “La mia Sicilia” (My Sicily) in 1969 at Galleria Flaccovio in Palermo where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980’s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and she had the possibility to realize a series of graphic works that has been exhibited at the Egypt Academy of Rome. During that years, she started an artistic research through the historical Sicilian Baroque art and culture. Between 1986 and 1988, she exhibited with the solo show “L’Immaginario nel Barocco” (The Baroque Culture) at the Galleria Artivisive in Rome, at the Museum and Library of Ursino and Recupero in Sicily and at the European Parliament in Strasbourgh. In 2002 she exhibited with “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean Sea) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started to explore the world of jazz music that will become an important subject of her future artworks; during that years she exhibited her works in England and in Belgium. Her artworks are a leap in the Mediterranean Sea, between Sicilian and Arab culture; Laura D’Andrea is a lover of the jazz music, through her canvases we can hear the sound of ancient and far places and people. Other important details of her work the calligraphy and the Archeoscrittura. Archeoscrittura is a trend that involves artists exploring into their genetic memory and finding signs of archaic scripture. Laura D'Andrea finds her inspiration in the depths of her personal memory, and in the study and influence of the signs and symbols of the Archaic writing in the Mediterranean. Her works can be found in the Museum of Modern Art Pecci in Florence, in the Museum of woodcut Carpi in Modena, in the Museum of Modern Art Maga of Varese, in the Museum of Modern Art of Valencia in Spain, and in the Museum of Art Mart of Trento and Rovereto in the donation of Mirella Bentivoglio.Category
Early 2000s Contemporary Abstract Prints
MaterialsCanvas, Woodcut
- Still Life - Woodcut Print by Luigi Spacal - 1970sLocated in Roma, ITStill Life is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print. Excellent conditions. Lojze Spacal...Category
1970s Contemporary Abstract Prints
MaterialsWoodcut
- Poetic Compositions - Original Woodcut by Michel Tapié - 1953Located in Roma, ITPoetic Compositions is included two pieces of paper of original woodcut with poems realized by Michel Tapié in 1953. From the edition of 150 prints. Good conditions. Admirable art...Category
1950s Modern Abstract Prints
MaterialsWoodcut
- The Martyrs of Basovizza - Woodcut Print by L. Spacal - 1950 ca.Located in Roma, ITThe Martyrs of Basovizza is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original Black and White woodcut print on cardboard. Excellent conditions. Lojze Spacal...Category
Mid-20th Century Abstract Prints
MaterialsWoodcut
You May Also Like
- Blue, Ukiyo-e landscape woodcut print, 2014By Keiji ShinoharaLocated in New York, NYKeiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...Category
2010s Contemporary Landscape Prints
MaterialsWoodcut
- "Arroyo, " Woodcut and Monotype Landscape signed by Carol SummersBy Carol SummersLocated in Milwaukee, WI"Arroyo" is a woodcut and monotype signed by Carol Summers. The print is a break from the usual bright coloring of Summers' images, though is rendered in his typical style and fields of unmodeled color. A pair of trees stand front and center before an arroyo, a Spanish term for an intermittently dry creek, running out to the ocean. A white sunrise glows in the distance beyond the sea. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 14.25 x 14 inches, artwork Numbered from the edition of 120 This print was commissioned by the Madison Print Club, Madison, WI Carol Summers (1925-2016) worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world, and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction, and Icarus) was shown for the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content, and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision that would have a significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain, and Greece. However, as evidenced in Aetna’s Dream, Worldwind, and Arch of Triumph...Category
1980s Contemporary Abstract Prints
MaterialsMonotype, Woodcut
- Hy-brasil - Declan Jenkins, Contemporary art, Woodcut printLocated in London, GBWoodcut printed in colours, 2018. Signed in pencil, numbered from the edition of 15.Category
2010s Contemporary Abstract Prints
MaterialsWoodcut
- Rhinoceros - Declan Jenkins, Contemporary Art, Prints, Woodcut printLocated in London, GBWoodcut, 2020. Signed in pencil, numbered from the edition of 15.Category
2010s Contemporary Abstract Prints
MaterialsWoodcut
- Dana Schutz, Back Surgery in Bed - Woodcut, Contemporary Painter, Signed PrintBy Dana SchutzLocated in Hamburg, DEDana Schutz (American, born 1976) Back Surgery in Bed, 2014 Medium: Woodcut on wove paper Dimensions: 71.8 x 53 cm Edition of 50: Hand-signed, numbered and dated in pencil Condition....Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsWoodcut
- David Shrigley, Eyes - Woodcut, Contemporary Art, Signed PrintBy David ShrigleyLocated in Hamburg, DEDavid Shrigley (English, b. 1968) Eyes, 2016 Medium: Woodcut on paper Dimensions: 70 x 50 cm Edition of 20: Hand-signed and numbered Condition: MintCategory
21st Century and Contemporary Contemporary Abstract Prints
MaterialsWoodcut
Recently Viewed
View AllMore Ways To Browse
Yellow Art Late 20th Century
Porta Romana
Porta Romana Vintage
American Federal Chandelier
Andy Warhol Litho
Armando Dutch Artist
Arthur Secunda Lithograph
Bruno Ceccobelli
Calder Beastie
Calder Pyramid Prints
Calder Red Sun
Carlos Rolon
Dale Chihuly On Sale
Damien Hirst Land Sea
Dova Gianni
Ea Calder Prints
Eve Jensen
Gian Carozzi