Richard Paul Lohse

Silkscreen: Eight complementary squares w/ four rectangles Geometric Abstraction

1976

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Richard Paul Lohse Mid Century Modern Geometric Abstraction, ca. 1969 Silkscreen on velincarton 39 1/4 × 39 1/4 inches Edition 43/100 Signed and num...

"The concentric square is just a powerful pictorial image. Its so good that you can us it, abuse it, and even work against it to the point of ignoring it. It has a strength that's al...

Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

Josef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....