Quarry Local One
View Similar Items
Robert RauschenbergQuarry Local One1968
1968
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1968
- Dimensions:Height: 41.5 in (105.41 cm)Width: 33 in (83.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:Seller: RRLCO1stDibs: LU544312491882
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- Paradis PerduBy Kenny ScharfLocated in Washington, DCArtist: Kenny Scharf Title: Paradis Perdu Medium: Archival pigment inks with high glass varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art paper Date: 2022 Editio...Category
2010s Pop Art Abstract Prints
MaterialsArchival Pigment
- Jasper Johns UntitledBy Jasper JohnsLocated in Washington, DCArtist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 17" x 17" Sheet Size: 10 5/8" x 10 1/4" Image Si...Category
1970s Pop Art Abstract Prints
MaterialsScreen
- Kenny Scharf Furungle GreenBy Kenny ScharfLocated in Washington, DCArtist: Kenny Scharf Title: Furungle Green Medium: Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art pape...Category
2010s Pop Art Abstract Prints
MaterialsArchival Pigment
- Waves (Derriere le Miroir #156)By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Title: Waves (Derriere le Miroir 156) Portfolio: Derriere le Miroir #156 Medium: Original lithograph Date: 1966 Edition: Unnumbered Frame Size: 17 1/4" x 21 ...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Derriere le Miroir #141By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Title: Derriere le Miroir #141 Portfolio: Derriere le Miroir #141 Medium: Original lithograph Date: 1963 Edition: Unnumbered Frame S...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Derriere le Miroir #221By Alexander CalderLocated in Washington, DCArtist: Alexander Calder Title: Alexander Calder Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Original lithograph Date: 1976 E...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen
Price Upon Request - Echo Pale, From Mirrors of the Mind Portfolio, 1975By James RosenquistLocated in Brecon, PowysJames Rosenquist (American 1933-2017) Echo Pale, From Mirrors of the Mind Portfolio, 1975 signed and dated 'Rosenquist 1975' (lower right); titled and numbered 74/100 lithograph, un...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop ArtBy Richard SmithLocated in Surfside, FLRichard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- 1969-71 Abstract Minimalist Color Silkscreen Print Charles Hinman On The BoweryBy Charles HinmanLocated in Surfside, FLCharles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsScreen, Lithograph
- Color Silkscreen Pop Art Lithograph Print Les Levine Canadian Pop Art PortraitBy Les LevineLocated in Surfside, FLLes Levine On the Bowery, 1969 - 1971 Screenprint in color 25.5 x 25.5 inches, signed, numbered 21/100 Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop ArtLocated in Surfside, FLWill Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen