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Robert Vale Faro'African Idol' — 1930s American Modernismc. 1930s
c. 1930s
About the Item
Robert Vale Faro, untitled (African Idol), serigraph, c. 1940, edition 6. Signed in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet with margins(5/8 to 1 3/8 inches), in excellent condition. Very rare. Matted to museum standards, unframed.
Image size 8 3/4 x 6 inches (222 x 152 mm); sheet size 11 x 7 1/2 inches (279 x 192 mm).
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space Painting, with a humorous, often satiric bent—perhaps serving the artist as an emotional counterpoint to Bauhaus formalism. Faro's work is represented in the collections of the Art Institute of Chicago, the National Gallery of Art, and the Seattle Art Museum.
- Creator:Robert Vale Faro (1920)
- Creation Year:c. 1930s
- Dimensions:Height: 8.75 in (22.23 cm)Width: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Robert Vale Faro
Robert Vale Faro was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole Des Beaux-arts, Paris, from 1924–27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller and Anne Ryan as New York members and Francine Felsenthal in Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space Painting, with a humorous, often satiric bent, perhaps serving the artist as an emotional counterpoint to Bauhaus Formalism. His work is in the collections of the Art Institute of Chicago, the National Gallery of Art and the Seattle Art Museum.
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