Tom Orr

Waterfall I

2008

With hand-drawn lines overlaying a field of narrow, vertical stripes, Tom Orr’s Waterfall prints capture the sense of movement and space of a cascade. Shimmering moire’ patterns and subtle tonal differentiations between the two sets of lines enhance this dynamic visual phenomenon. Orr has previously explored this theme in different media in gallery-based installations and public sculpture commissions. Tom Orr created the "Waterfall" series of etchings at Manneken Press in 2008. Each of the three prints in the series are hand-printed from two etched copper plates...

With hand-drawn lines overlaying a field of narrow, vertical stripes, Tom Orr’s Waterfall prints capture the sense of movement and space of a cascade. Shimmering moire’ patterns and subtle tonal differentiations between the two sets of lines enhance this dynamic visual phenomenon. Orr has previously explored this theme in different media in gallery-based installations and public sculpture commissions. Tom Orr created the "Waterfall" series of etchings at Manneken Press in 2008. Each of the three prints in the series are hand-printed from two etched copper plates...

"Once Upon A Glacier" is a limited edition woodcut by Cathie Crawford. The woodblocks were cut and printed by the artist on Hosho Professional paper in...

"Serendipity" is an abstracted landscape print by Cathie Crawford. It is a color reduction woodcut printed on a handmade Japanese kozo paper, with a de...

A two-color linoleum cut printed in color inks on Somerset radiant white paper. Lieberman frequently explores her sculptural ideas in the printmaking me...

A three-color linoleum cut printed in fluorescent inks on Somerset radiant white paper. Lieberman frequently explores her sculptural ideas in the printm...

Polymer gravure type etching on Velin Arches Blanc 250 gsm. Signed and numbered by the artist Paper size: 24 x 29.5 cm Edition of 100

Born in Amityville, NY, in 1952, Tom Butter received his B.F.A. from Philadelphia College of Art in 1975 and his M.F.A. from Washington University, St. Louis, two years later. Since 1979 he has been teaching sculpture at PCA. Butter is the recipient of two National Endowment for the Arts Grants for Emerging Artists (1980 and 1982). Special outdoor installations of his work have been part of the Hammarskjold Plaza Sculpture Garden, NY (1983), and Art Across the Park, Central Park, NY (1982). One-person exhibitions have been held at the Lawrence Oliver Gallery, Philadelphia (1983,1984,1985) and the Grace Borgenicht Gallery, NY (1983,1984). Group shows include: Affiliations, Recent Sculpture and Its Antecedents, Whitney Museum, Stamford, CT (1985); Translucid, Sculpture at Washington Square, Washington, DC (1985); Transfiguration of the Minimal Style, Sculpture Center, NY (1984); Language, Drama Source and Vision, The New Museum, NY (1983); Intoxication, Monique Knowlton Gallery, NY (1983); American Abstraction Now, ICA, Virginia Museum (1982); Critical Perspectives, P.S. 1, Long Island City, NY (1982); Color, Light and Mass: Ten Sculptors, Hallwalls, Buffalo (1981); Art for the Eighties, Galerie Durban, Caracas, Venezuela (1980). His work is in our own Academy collection as well as those of the Metropolitan Museum of Art, NY; Indianapolis Museum of Art; Chase Manhattan Bank; Prudential Insurance Company of America; and the Hospital Corporation of America, Nashville, TN. Bibliography: Forgey, Benjamin, “Prismatic Showcase,” The Washington Post, April 25, 1985. Martin, Richard, Arts, November 1984. Raynor, Vivien, The New York Times, November 18,1984. Goodman, Marilyn J.S., New Art Examiner, June 1984. Donohoe, Victoria, The Philadelphia Inquirer, April 14,1984. Donohoe, Victoria, The Philadelphia Inquirer, March 18,1984. Raynor, Vivien, “Totem,” The New York Times, February 17,1984. Kramer, Kathy, “Lifesigns,” Arts, February 1984. Messinger, Lisa, “Notable Acquisitions,” 1982 – 84,” Metropolitan Museum of Art. Linker, Kate, Artforum, November 1983. Brenson, Michael, “Critics Choices,” The New York Times, August 21, 1983. Saunders, Wade, Art in America, April 1983. Lichtenstein, Therese, Arts Magazine, March 1983. Levin, Kim, “Voice Choice,” Village Voice, January 12-18,1983. Rifkin, Ned, New Work/New York, catalogue, The New Museum, 1982. Russell, John, “New Work/New York,” The New York Times, March 19, 1982. Boyd, Julia, American Abstraction Now, catalogue, The Institute of Contemporary Art of the Virginia Museum, 1982. Silverthorne, Jeanne, “Butter/Burlin,” Artforum, October 1981. Raynor, Vivien, “Butter/Burlin,” The New York Times, September 11, 1981. Cohen, Ronny H., Drawing, Summer 1981, survey article. Denson, Roger, Color, Light and Mass: Ten Sculptors, catalogue, Hallwalls, Buffalo, NY, 1981. Huntington, Richard, “Color Mass, A Satisfying Show,” Buffalo Courier...

The Serpentine, Hyde Park – Autumn, after Bruegel is a limited edition etching by Mychael Barratt. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty e...

Caught on a Breeze #1 – Green by Charlie Davies [2021] limited_edition Soft ground etching Edition number 100 Image size: H:22 cm x W:30 cm Complete Size of Unframed Work: H:36 cm x...

Breathe [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Please...

Charlie Davies From the depths – multi colour Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframe...