Unknown

Fragil (Edition 96/100)

1963

Eberhard Dänzer (German, 1938-2005), "Untitled" Edition 83/100, Abstract Lithograph signed and numbered in Pencil, 23 x 17, Late 20th Century, 1966 Colors: Black and White Eberhar...

Unknown/Unidentified Artist, "Untitled" Edition 80/120, Abstract Lithograph signed and numbered in pencil, 22 x 30, Late 20th Century Colors: Red, Green, Yellow, Black, White, Brown...

Amaranth Ehrenhalt (American, 1928 - )," Aventurine", Edition D'Artiste, Abstract Expressionist Colored Lithograph signed in Pencil , 30 x 22, Late 20th Century, ca. 1970 Colors: Red, Blue, Purple, Green, Blue Amaranth Roslyn Ehrenhalt is an American painter, sculptor, and writer, who spent the majority of her career living and working in Paris, France. Ehrenhalt is one of the few abstract expressionists from the New York School of the 1950s who is still active today. She now lives and works in New York City. Born in Newark, New Jersey, Amaranth was raised in Philadelphia, Pennsylvania. As a child, she expressed a passion for art, and by the age of twelve, Amaranth was enrolled in a Saturday morning program for artistically gifted children at the Philadelphia Museum of Art, followed a few years later by art classes at Fleisher Art Memorial. Amaranth Ehrenhalt graduated from Olney High School in 1945, and went on to study for one year at the Philadelphia Museum School of Industrial Arts (now known as the University of Arts, Philadelphia), after which, she was awarded an Honors Scholarship to the Pennsylvania Academy of the Fine Arts. While attending PAFA, she simultaneously earned a bachelor's degree from the University of Pennsylvania studying French, English, Psychology, and Art History. From 1949-1951, Amaranth completed additional studies in Art Appreciation via the Barnes Foundation, attending classes afternoon per week. Amaranth Ehrenhalt lived in New York City during the heyday of the New York School of Abstract Expressionism. She is officially recognized as part of the second wave of American Abstract Expressionists. She socialized with Willem de Kooning and Franz Kline, among others. Her social life revolved around the Cedar Tavern on University Place. Describing life in her fourth floor Greenwich Village walk-up, Amaranth states: “I painted on the floor, not by choice a la Jackson Pollock but for lack of a table. The painter Al Held and sculptor Ronnie Bladen worked at the Door Store and, upon hearing of my predicament, carried a wooden door up four flights of stairs and plopped it on top of the bathtub. From then on, I could work at a more comfortable height.” Amaranth Ehrenhalt traveled to Paris for the first time in the early 1950s, one of many moves between Paris, Philadelphia, and New York. (Amaranth has also lived in Los Angeles, Rome, and Pietrasanta, Italy). Amaranth lived and worked in France and Italy for over 30 years. “I have lived many years in Italy and France and was privileged to know, and sometimes exhibit with many writers and artists who have greatly contributed to modern art, i.e. Giacometti, Sonia Delaunay, who invited me to choose my paint supplies...

Eberhard Dänzer (German, 1938-2005), "Untitled: Chess " Edition 17/100, Abstract Lithograph signed and numbered in Pencil, 20.75 x 15.25 , Late 20th Century, 1966 Colors: Black, Whi...

Eberhard Dänzer (German, 1938-2005), "Medaillon" Edition 52/100, Abstract Woodcut signed and numbered in Pencil, 14.50 x 18.75 (In Frame 27.25 x 32.50) , Late 20th Century, 1963 Co...

Ivel Weihmiller (Argentine b. 1954) , "Homage To Rousseau" Edition 72/300, Abstract Lithograph Print signed and numbered in Pencil, 26.75 x 21, Late 20th Century Colors: Orange, Blu...

Printer: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower margin

15 x 38 ins (38.1 x 96.5 cms) Edition of 98 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; work...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

Robert Motherwell Paris Suite III (Autumn) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 56.8 cms (19 1/2 x 22 1/2 ins) RM17035 CR 26...

Lithograph, linoleum block print, and chine appliqué, Edition of 50 CR 435 Paper:Arches paper; Japanese Masa Dosa handmade paper Production Sequence:4 colors (including 1 colored pap...