Items Similar to Homage to the Square - SET OF FIVE (Minimalism, Bauhaus, ~49% OFF LIST PRICE)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
(after) Josef AlbersHomage to the Square - SET OF FIVE (Minimalism, Bauhaus, ~49% OFF LIST PRICE)1983
1983
About the Item
Josef Albers
Homage to the Square - SET OF FIVE
1983
Color silkscreen(s) on semi gloss stock
Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each)
Framed: 12.8 x 12.8 x 0.5 inches (each)
Unsigned as issued
Edition: 1,500
Publisher: Stadt Bottrop, Germany
Printer: Mankopf-Siebdruck GmbH, Duesseldorf, Germany
COA provided (gallery issued)
Ref.: 924802-1529
----------------------
Josef Albers (March 19, 1888 – March 25, 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century.
Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m
- Creator:(after) Josef Albers (1888 - 1976, American, German)
- Creation Year:1983
- Dimensions:Height: 7.5 in (19.05 cm)Width: 7.33 in (18.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:
(after) Josef Albers
Josef Albers (March 19, 1888 – March 25, 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century. Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m Tags: Bauhaus,Homage to the Square,Geometric Abstraction,Color Theory,Abstract Art,Modernism,Op Art,Interaction of Color,Bauhaus School,Abstract Expressionism,Color Study,Art Education,Abstract Painter,Josef Albers Foundation,Optical Art,Square Paintings,Minimalism,Hard-edge Painting,Form and Color,Art and Science,German Artist,Color Perception,The Interaction of Color Book,Color Variants,Structural Constellations,Art of Seeing,Color Field Painting,Josef Albers Museum,Modernist Printmaker
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2016
1stDibs seller since 2017
956 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Kansas City, MO
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Homage to the Square: Grisaille and Patina (from "Albers")By (after) Josef AlbersLocated in Kansas City, MOJosef Albers (after) Homage to the Square: Grisaille and Patina (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Shee...Category
1970s Minimalist Prints and Multiples
MaterialsScreen
- Variant III (from Ten Variants)By (after) Josef AlbersLocated in Kansas City, MOVariant III (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pr...Category
1970s Minimalist Prints and Multiples
MaterialsScreen
- Variant IV (from Ten Variants)By (after) Josef AlbersLocated in Kansas City, MOVariant IV (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pri...Category
1970s Minimalist Prints and Multiples
MaterialsScreen
- White Lines Squares - Set of Six (6) (Minimalism Bauhaus Homage Square)By (after) Josef AlbersLocated in Kansas City, MOSIX (6) Lithographs in brilliant Colors on paper, 1966 Image 6 x 6 inches (each) Sheet: 7.5 x 7.33 inches (each) Framed: 9 x 9 x 1 inches (each) COA provided (gallery issued) Origina...Category
1960s Minimalist Prints and Multiples
MaterialsLithograph
- Homage to the Square: Selected (from "Albers")By (after) Josef AlbersLocated in Kansas City, MOJosef Albers (after) Homage to the Square: Selected (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Sheet: 9 x 7.625...Category
1970s Modern Prints and Multiples
MaterialsScreen
- Homage to the Square: "Protected Blue" + FOLIO (70% OFF LIST + $10 OFF SHIPPING)By (after) Josef AlbersLocated in Kansas City, MOJosef Albers Homage to the Square: Protected Blue Screenprint in brilliant Colors on strong wove paper tipped-in at the front Year: 1968 Size: 6.25 x 6.5 inches Part of a First Edition small square quarto published for an Albers exhibition...Category
1960s Modern Prints and Multiples
MaterialsScreen
You May Also Like
- Intersecting Lines - Plate 3 - Screen Print by François Morellet - 1975By Francois MorelletLocated in Roma, ITIntersecting Lines - Plate 3 is an original artwork realized by François Morellet in 1975. Black and white screen print. Hand-signed by the artist on the back of the artwork. Numbe...Category
1970s Minimalist Abstract Prints
MaterialsScreen
- Minimalist Abstract from New York 10, David Diao 1969By David DiaoLocated in Long Island City, NYArtist: David Diao, Chinese/American (1943 - ) Title: Untitled from New York 10 Year: 1969 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 67/100 Image Size: 9 x...Category
1960s Minimalist Abstract Prints
MaterialsScreen
- Lana 2By Brice MardenLocated in New York, NYFrame size: 28 1/2 x 24 3/4 inches Printer: Chiron Press, New York Publisher: The Artist Signed, titled, and numbered, lower marginCategory
1960s Minimalist Abstract Prints
MaterialsScreen
- Distant MusesBy Brice MardenLocated in New York, NY8-color screenprint Sheet: 23 3/8 x 19 in. (59.4 x 48.3 cm) Edition of 300 Signed, dated and numbered in pencil on lower margin Published by Gemini G.E.L., Los AngelesCategory
Early 2000s Minimalist Abstract Prints
MaterialsScreen
- Eight Variations for Galerie Heiner FriedrichBy Fred SandbackLocated in New York, NYFred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...Category
1970s Minimalist Abstract Prints
MaterialsScreen
- Venedig 1997 Minimalist Conceptual Architectural SilkscreenBy Gerhard MerzLocated in Surfside, FLGenre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...Category
1990s Minimalist Abstract Prints
MaterialsScreen
Recently Viewed
View AllMore Ways To Browse
The Square
Vintage Framing Square
Bauhaus American
Screen Five
Screen Used Coa
Albers Interaction
Josef Albers Prints Interaction Of Art
Albers Set
Print On Masonite
M Albers
Famous Minimalist Painting
Food Sculpture
Posters Of Plays
Rome Italy Etching
1937 Sculpture
J James
Antique Japanese Art Prints
Toronto Print