Items Similar to Josef Albers White Line Squares (set of 6)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
(after) Josef AlbersJosef Albers White Line Squares (set of 6)1966
1966
About the Item
Josef Albers White Line Squares:
A set of 6 lithographic inserts (measuring approx 7.25 x 7.25 inches each), published as part of the 1966 exhibition catalog: Josef Albers : White Line Squares - a touring exhibition organized by Los Angeles County Museum of Art in 1966. Looks fantastic framed as a set.
Medium: Lithographic sheets in colors (set of 6 individual works).
Overall dimensions including borders: 7.25 x 7.25 inches (applies to each individually).
Very good overall vintage condition; some minor signs of aging to each; blue contains some staining on left edge and a white spec/printing loss on lower left corner.
Unsigned from an edition of unknown. Works are unbound lithos that were included in the 1966 exhibition catalog & are not related to the (signed) larger Gemini G.E.L. edition(s).
Well suited for matting & framing.
In his “White Line Squares” series, Josef Albers experimented with the idea of how a simple white line can transform a viewer’s perception of its surrounding colors. Building upon his iconic “Homage to the Square” designs, Albers’s “White Line Squares” showcase four nested squares with a thin white line framing one of the squares.
Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.
In 1950, at the age of 62, Albers began his signature series, the Homage to the Square. Over the next 26 years, until his death in 1976, he produced hundreds of variations on the basic compositional scheme of three or four squares set inside each other, with the squares slightly gravitating towards the bottom edge.
Related Categories
Bauhaus. Minimalist. Minimalism. Mid-Century Modern prints. Linear Forms. Modern and Impressionist Prints. Geometric. Abstract prints. Josef Albers prints.
- Creator:(after) Josef Albers (1888 - 1976, American, German)
- Creation Year:1966
- Dimensions:Height: 7.25 in (18.42 cm)Width: 7.25 in (18.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354312480042
(after) Josef Albers
Josef Albers (March 19, 1888 – March 25, 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century. Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m Tags: Bauhaus,Homage to the Square,Geometric Abstraction,Color Theory,Abstract Art,Modernism,Op Art,Interaction of Color,Bauhaus School,Abstract Expressionism,Color Study,Art Education,Abstract Painter,Josef Albers Foundation,Optical Art,Square Paintings,Minimalism,Hard-edge Painting,Form and Color,Art and Science,German Artist,Color Perception,The Interaction of Color Book,Color Variants,Structural Constellations,Art of Seeing,Color Field Painting,Josef Albers Museum,Modernist Printmaker
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2016
4,241 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- KAWS print 2020 (KAWS snoopy print)By KAWSLocated in NEW YORK, NYKAWS Snoopy Print 2020: This rare, highly collectible KAWS Snoopy print was released on the occasion of the monumental 2021 KAWS Brooklyn Museum exhibitio...Category
21st Century and Contemporary Pop Art Animal Prints
MaterialsScreen, Lithograph
- Shepard Fairey Screen-prints: collection of 60 works (2009-2022)By Shepard FaireyLocated in NEW YORK, NYShepard Fairey Screen-prints: collection of 60 works: 2009-2022: A rare assemblage of 60 hand-signed Shepard Fairey screen-prints; collected over a near 15 year period (2009-2022). Notable imagery includes: Bob Marley, Keith Haring, Ruth Bader Ginsburg, Kurt Cobain, as well as a series of vivid anti-war pieces defining the artist's practice (title list found further below). Each very well-preserved. Medium: Screen-prints on heavy paper. 2009-2022 (see below for a list of titles & years). Dimensions ranging from: 19.5 x 16 inches to 24x36 inches. Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered. Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples. Provenance: Private collection New York via Shepard Fairey. Listing images beginning with image 2 represent the actual works. These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions. Titles & Years: OCEAN TODAY...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsLithograph, Screen
- Keith Haring 1990 memorial (Keith Haring crawling baby)By (after) Keith HaringLocated in NEW YORK, NYKeith Haring A Memorial Tribute 1990: Rare, historic silkscreened, folding invitation program featuring double-sided, gold-foiled artwork - published on the occasion of Keith Haring’...Category
1980s Pop Art Prints and Multiples
MaterialsLithograph, Screen, Paper
- Mudd Club New York 1979 street poster (Haring Basquiat related)By Fernando NataliciLocated in NEW YORK, NYOriginal Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...Category
1970s Pop Art Prints and Multiples
MaterialsScreen, Lithograph
- Keith Haring 1990 memorial (Keith Haring baby)By (after) Keith HaringLocated in NEW YORK, NYKeith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...Category
1980s Pop Art Animal Prints
MaterialsLithograph, Screen
- Saul Steinberg lithograph 1970s (Saul Steinberg prints)By Saul SteinbergLocated in NEW YORK, NYVintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-line as issued; very good overall vinta...Category
1970s Contemporary Figurative Prints
MaterialsLithograph
You May Also Like
- Blue Face from the Brushstroke Figures SeriesBy Roy LichtensteinLocated in Miami, FLLithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Lithograph Print Pattern & Decoration Art Honor Father & Mother Robert KushnerBy Robert KushnerLocated in Surfside, FLRobert Ellis Kushner (American, b.1949). 44/84 Lithograph on paper titled " Honor thy Mother and Father"; Depicting a husband and wife (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi, and Wu Changshuo. Kushner’s work combines organic representational elements with abstracted geometric forms in a way that is both decorative and modernist. Kushner has collaborated with Master printer Bud Shark since 1982 on various monotypes and lithographs. These exuberant, sensuous prints often include collage elements, including glitter, chine-collé, metal leaf and hand coloring. Kushner's work has been exhibited extensively in the United States, Europe, and Japan and has been included in the Whitney Biennial three times and twice at the Venice Biennale in Italy. He was the subject of solo exhibitions at both the Whitney Museum of American Art and the Brooklyn Museum. A mid-career retrospective of his work was organized by the Philadelphia Institute of Contemporary Art. He was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson, Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon) The group began exhibiting together in 1976 in "Ten Approaches to the Decorative" at the Alessandra Gallery in New York, followed by "Pattern Painting" in 1977 at PS1 in Long Island City, Queens. Subsequently, over fifty group exhibitions featuring the founding artists were held in museums and galleries in Europe and the U.S. including the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, Palais des Beaux Arts, Brussels, Louisiana Museum of Modern Art in Humlebaek, Denmark, the Neue Galerie, in Aachen, Germany, the Pori Art Museum, the Mayor Gallery in London, Modern Art Oxford, and the Hudson River Museum in Yonkers, New York.Robert Kushner's prints include a lithograph with gold leaf titled White Lilac and a series of monotypes that include Blue Bells II, Geranium IV, and Oregon Grape III. Robert Kushner lives in New York and has completed several major public commissions. He has exhibited his work widely and is represented in the collections of The Brooklyn Museum, Los Angeles County Museum, The Metropolitan Museum, NY, The San Francisco Museum of Modern Art, The Tate Gallery, London, The Whitney Museum, NY and others. In 1997 Hudson Hills Press published the monograph, Robert Kushner: Gardens of Earthly Delight by Alexandra Anderson-Spivey. The New Jersey Center for Visual Arts mounted the survey exhibition Robert Kushner: 25 Years of Making Art in 1998. Kushner's work is represented in numerous important public collections: Albright-Knox Art Gallery, Buffalo, NY Art Collection of the United States Embassy, Panama Australian National Gallery, Canberra, Australia The Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Brunswick, ME The Brooklyn Museum of Art, Brooklyn, NY California Palace of the Legion of Honor, San Francisco, CA Carnegie Museum of Art, Pittsburgh, PA The Columbus Museum of Art, Columbus, OH The Contemporary Museum, Honolulu, HI The Corcoran Gallery of Art, Washington, DC Galleria degli Ufizzi, Florence, Italy Gröninger Museum, Gröningen, the Netherlands Honolulu Academy of Arts, Honolulu, Hawaii J. Paul Getty Trust, Los Angeles, CA Library of Congress, Washington, D.C. Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Museum Ludwig, Cologne, Germany Museum Ludwig, St. Petersburg, Russia Museum Moderner Kunst - Palais Lichtenstein, Vienna, Austria The Museum of Modern Art, New York, NY The National Gallery of Art, Washington, D.C. Neue-Galerie-Sammlung Ludwig, Aachen, Germany Philadelphia Museum of Art, Philadelphia, PA Rockefeller Center, New York, NY San Francisco Museum of Modern Art, San Francisco, CA The Tate Gallery, London, England Whitney Museum of American Art, New York, NY Select Exhibitions: Robert Kushner: 30 Literary Nudes, Luis De Jesus, Santa Monica, CA Robert Kushner: The Language of Flowers, DC Moore...Category
1980s Contemporary Figurative Prints
MaterialsLithograph, Screen
- Bicentennial PrintBy Roy LichtensteinLocated in Miami, FLNumbered and signed rf Lichtenstein and dated '75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publi...Category
1970s Contemporary Abstract Prints
MaterialsLithograph, Screen
- Study of HandsBy Roy LichtensteinLocated in Miami, FLHand signed rf Lichtenstein and dated '81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. N...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen
- Three Reclining Figures - Lithograph by Henry Moore - 1976By Henry MooreLocated in Roma, ITThree Reclining Figures ia a Lithograph realized by Henry Moore in 1976. Hand Signed. Edition of 50 prints. Printed at the Curwen Studio and...Category
1980s Contemporary Figurative Prints
MaterialsLithograph, Screen
- The Accordion Player #1By Donald BaechlerLocated in New York, NYDonald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...Category
1990s Contemporary Figurative Prints
MaterialsLithograph, Screen