Arlequin au miroir 1923 litho offset on paper after Pablo Picasso

1971

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Jean Jansem (1920-2013) Spello - La Cour, 1977 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 47 x 66 cm / 54 x 76 cm Bibliographie: Jansem Lit...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

Jean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...

Jean Jansem (1920-2013) Joëlle aux jambières, état rouge, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 65 x 50 cm / 76 x 56 cm Rare édit...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lit...

Vintage French Travel Poster, Air France Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...

Chagall (After) offset lithograph, printed in circa 1970. Signed in the plate, numbered in pencil 448/500.

Vintage original Tomi Ungerer, Vietnam protest poster, Evergreen Review, 1967: Grove Press publisher Barney Rosset began Evergreen review in 1957 as a literary quarterly featuring the likes of Sartre, Camus and Beckett as well as American poets Lawrence Ferlinghetti and Jack Kerouac. By 1966, the publication had increased its frequency and become a voice of political iconoclasm, so graphic designer John Alcorn refreshed its look, dropping "review" from the title in the process. Heralding the redesign was a new advertising Campaign : "Join The Underground." Here, a poster for the February 1967, number utilizes cover artwork by noted illustrator and satirist Tomi Ungerer: a coolie-hatted image of Uncle Sam, sunk in the quagmire of Vietnam and displeased with the face he presents to the mirror. Off-set lithograph. Measure: 30 x 45 inches. Some signs of minor handling; otherwise very good condition for its age. Unsigned from an edition of unknown. Original 1st printing. About the artist Tomi Ungerer is best known for his witty children's books, as well as being a successful political commentator, prolific writer, and erotic artist. Born in Strasbourg in 1931, he first gained notoriety after moving to New York in 1956 and creating illustrations for magazines such as Esquire, Life, Harper’s Bazaar, The Village Voice, and The New York Times. Ungerer is now internationally renowned for his etched caricatures imbued with sharp social satire. During the Civil Rights Movement of the 1960s Ungerer began to branch out from advertising and editorial work to make personal pictorial responses to racism, fascism, and war, most notably a set of brutal anti-Vietnam war posters...

This charming vintage poster commemorated the publication of David Hockney's Six Fairy Tales from the Brothers Grimm. The poster advertises a miniature ...

A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...