Alex Katz

Alex Katz 'Kate' Cyanotype 2006

2006

ALEX KATZ (1927-Present) Alex Katz 1977 'Caroline' is a lithograph on Arches paper. This work is signed in pencil and numbered 15/60, co-published by Bro...

ANDY WARHOL (1928-1987) Andy Warhol’s dynamic collage 'Female Water Bearer' is a screenprint on acetate and colored graphic art collage on HMP paper. It is stamped by the Warhol's E...

ALEX KATZ (1927-Present) Katz's 1972 'Vincent' is a drypoint on German etching paper. Signed and numbered to lower left ‘AP 5/10 Alex Katz’. This work is artist's proof 5 of 10 apar...

ALEX KATZ (1927-Present) 32-color silkscreen on 2-ply museum board signed and numbered 23/60 in pencil. Published by Lococo Fine Art Publisher, St. Louis, Missouri.

ALEX KATZ (1927-Present) This Alex Katz 'Ursula' is a 1994 soft pencil drawing on vellum paper. This original piece is signed 'Alex Katz', previously acquired from Marlborough Galle...

This coffee table book displays beautiful and unique Picasso drawings and illustrations. The cover is inscribed by Picasso. Signed and dated by Picasso 6/12/72. The book comes with ...

David Hockney Spilt Ink with Tests, 2019 signed in pencil and dated ‘19 art edition (1-100): 11-colour inkjet print on cotton-fiber archival paper book: hardcover, 2 volumes in a cla...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

MASSIMO LISTRI Basilica of Sant’Andrea, Mantua, Italy2017 Available sizes: 120 x 240 cm (48 x 96 inches) Triptych Edition of 5 Chromogenic print Mounted and Framed 180 x 360 cm (71 x 142 inches) Triptych Edition of 5 Chromogenic print Mounted and Framed Signed by the artist Frame can be custom made, ask us for details. The basilica of Sant'Andrea was built in 1472 on the site of an old 11th-century church. Built according to Leon Battista Alberti...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

rare vertical work featuring iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Porto Miggiano...

Archival pigment print on hahnemühle paper (Fine Art Paper). Interior Photography, Romantic imagery Work Title : "Clearing" Artist : Suzanne Moxhay The work is signed and numbered, d...