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Allan D'Arcangelo 11965 Allan D'Arcangelo 'Paris Review' Pop Art Blue, Red USA Serigraph1965
1965
About the Item
Paper Size: 40 x 26.25 inches ( 101.6 x 66.675 cm )
Image Size: 30 x 25 inches ( 76.2 x 63.5 cm )
Framed: No
Condition: B: Very Good Condition, with signs of handling or age
Additional Details: Edition of 150, signed and numbered by the artist. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are paid for partly by the sale of artwork created and sold by the Paris Review.
D’Arcangelo is better known for his pictures of highways and roadblocks, which pictured deep perspectival vistas in a simplified, flat plane, the view as seen from the driver’s seat as one zooms along the seemingly never-ending American highway in most any state. Next came a series “Barriers,” in which cropped, abstracted imagery of road barriers were superimposed over the one-point perspectival highway vistas. These were a move further towards concern with abstract, two-dimensionality without negating the element culled from seen aspects of the American landscape. The series called “Constellations” (there are 120 in all) further abstracted the view of road barriers into perspectival, jutting patterns thrusting across the canvas against a white ground. The element of the seen is never obliterated and always primary in D’Arcangelo’s dialectic, as amply evidenced in his return to highway imagery in the 1970s.
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- Creator:
- Creation Year:1965
- Dimensions:Height: 40 in (101.6 cm)Width: 26.25 in (66.68 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:
Allan D'Arcangelo 1
Allan D'Arcangelo was an American artist and printmaker. D'Arcangelo was born in Buffalo on June 16, 1930, to Italian immigrant parents. After earning a degree in history from the University of Buffalo, he moved to Mexico City where he studied art. In 1958, he held his first one-man show. His style, loosely termed Hard Edge or Constructivist Art, was based on spatial relationships. A keen sense of perception, complemented by expert use of color tones and shadows, points up these relationships in forceful compositions. It has been said that, “D'Arcangelo has the ability to defy, yet document, spatial relationships at the same time”. The recipient of 15 awards and commissions, D'Arcangelo had frequent one-man shows, many of which were in prominent museums throughout America. His selected exhibitions include, “American Landscape Painting” at Museum of Modern Art, “American Art Since 1945” at Museum of Modern Art, “Popular Imagery” in Sarah Lawrence College and “The Popular Image” at The Institute for Contemporary Art, were among some of them. D'Arcangelo passed away on December 17, 1998 in New York City due to complications with leukemia.
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