Georges Schreiber'Circular Motion' original lithograph signed by Georges Schreiberca. 1936
ca. 1936
About the Item
- Creator:Georges Schreiber (1904 - 1977, American)
- Creation Year:ca. 1936
- Dimensions:Height: 19 in (48.26 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Georges Schreiber
Georges Schreiber was born on April 25, 1904, in Brussels, Belgium. After studying in Berlin, London, Rome, Paris, and Florence, he moved to New York in 1928 and spent the rest of his life in the U.S. “I don’t want to be just an American with citizenship papers,” Schreiber declared. “I want to completely associate myself with America.” Besides his career as a lithographer, Schreiber was also a painter, illustrator, watercolorist as well as a teacher at the New School for Social Research. He was a regular contributor to several national magazines and an author and illustrator of several books. Throughout his career, he exhibited at the Metropolitan Museum of Art, the Museum of Modern Art, the Art Institute of Chicago, the Whitney Museum of American Art, the Carnegie Institute, the Corcoran Gallery of Art, the Pennsylvania Academy of Fine Arts, the White House Library, the Library of Congress and Bibliotheque Nationale, among others. He garnered numerous awards, including the William Tuthill Prize. Growing up in war-torn Europe, Schreiber was profoundly impacted by the horrors he witnessed. As a family of German descent living in Belgium during the First World War, the Schreibers were scorned by their neighbors, when they later returned to Germany, however, they were despised as Belgians. “All this has made me conscious of the times I live in . . . and the people I live with. It has made me strive with passion for human understanding in my work.”
Schreiber studied art in Belgium, at the Academy of Fine Art in Berlin and in London, related travels took him to Paris, Rome and Florence. From 1925–28, he worked as a freelance artist for German newspapers, a line of work he would continue upon his arrival in American in 1928. By 1936, he was employed with the Works Project Administration. He visited each of the 48 states and would ultimately make five cross-country journeys, from New England to California, Florida to Oregon, capturing contemporary American scenes with honesty and attention to detail. Considered en masse, Schreiber’s Panorama of America reveals the artist to be acutely aware of the world’s brutal realities and keenly attuned to the characters he portrayed so powerfully. Preferring rural to urban themes, his favorite composition was a lonely type set against a simple landscape background. “I want to live with these people . . . not depict them,” he said.
In addition to creating these heartfelt images, Schreiber continued to work as an illustrator. He sketched the Bruno Hauptmann kidnapping trial, illustrated the book Little Man What Now, contributed to Life and Fortune magazines, and earned wide acclaim for his caricatures. A 1936 publication entitled Portraits and Self-Portraits contained illustrations with short biographies of famous contemporary figures, all executed by Schreiber. During the Second World War, the United States Navy commissioned Schreiber to create paintings to use as posters. When fellow artists criticized him for this kind of work, Schreiber replied that “art for art’s sake” should be shelved for the duration of the war and voiced his approval of any medium which brought good art to great numbers of people.
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyThis item cannot be returned.
- 'The Rabbit' original woodcut engraving by Clarice George LoganBy Clarice George LoganLocated in Milwaukee, WIIn 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year. Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...Category
1930s American Modern Figurative Prints
MaterialsWoodcut, Engraving
- Original Lithograph Horse Anatomy Leonardo Davinci Nude Male Figure Sepia SignedBy Claude WeisbuchLocated in Milwaukee, WI"Homage a Leonardo d'Vinci (Leonardo drawing, 3 Figures, Horse from De La Bataille Vol. I)" is an original color lithograph signed by Claude Weisbuch. A group of figures stand to the...Category
1970s Modern Figurative Prints
MaterialsPaper, Lithograph
- "Présure Guillien, Dijon Cow, " Original Color Lithograph Poster by L. SerreLocated in Milwaukee, WI"Présure Guillien, Dijon Cow" is an original color lithograph poster. The artist's name is printed in the lower left, and the name of the printing company, Havas, is printed in the lower right. The poster advertises rennet, a product used to curdle milk and make cheese, featuring a milk maid with a red kerchief tied around her head in front of a white cow. She holds a golden bucket...Category
1920s Modern Figurative Prints
MaterialsLithograph
- "Laboureur Du Kef (Plowman of Kef), " Original Lithograph by Alexandre LunoisBy Alexandre LunoisLocated in Milwaukee, WI"Laboureur du Kef (Plowman of Kef)" is an original lithograph by Alexandre Lunois. It features a figure plowing the field with a camel. The artist's name is lower left and the printe...Category
1890s Realist Figurative Prints
MaterialsLithograph
- "From the Series Cheval et Chevalier, " a Lithograph signed by Marino MariniBy Marino MariniLocated in Milwaukee, WI"From the Series Cheval et Chevalier" is an original color lithograph signed in the lower right by the artist, Marino Marini. It depicts three red abstracted horses and their riders ...Category
1970s Post-Modern Animal Prints
MaterialsLithograph
- "Eve Incurs God's Displeasure (M. 236), " Original Lithograph by Marc ChagallBy Marc ChagallLocated in Milwaukee, WI"Eve Incurs God's Displeasure" is an original double sided lithograph by Marc Chagall. On recto the print features the biblical story of Eve being scolded by God for her sin in the G...Category
1960s Expressionist Figurative Prints
MaterialsLithograph
- Alexander Calder Circus Reproduction Lithograph After a DrawingBy (after) Alexander CalderLocated in Surfside, FL(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...Category
1930s American Modern Animal Prints
MaterialsLithograph
- Alexander Calder Circus Reproduction Lithograph After a DrawingBy (after) Alexander CalderLocated in Surfside, FL(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...Category
1930s American Modern Animal Prints
MaterialsLithograph
- Alexander Calder Circus Reproduction Lithograph of a DrawingBy (after) Alexander CalderLocated in Surfside, FL(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper a reproduction lithograph after the drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...Category
1930s American Modern Animal Prints
MaterialsLithograph
- Alexander Calder Circus Reproduction Lithograph After a DrawingBy (after) Alexander CalderLocated in Surfside, FL(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...Category
1930s American Modern Animal Prints
MaterialsLithograph
- Alfred Bendiner, The Son also RaisesBy Alfred BendinerLocated in New York, NYNo matter the seriousness (or lack thereof) of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner. Here a bull fight has gone amiss. Perhaps ...Category
1940s American Modern Animal Prints
MaterialsLithograph
- Alfred Bendiner, On VacationBy Alfred BendinerLocated in New York, NYNo matter the seriousness (or lack thereof) of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner. In this 'Day at the Beach' scene Bendiner h...Category
1940s American Modern Animal Prints
MaterialsLithograph