Kelvin Mann

"U", from Kelvin Mann's animal alphabet

2010

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

Signed and numbered in pencil from the edition of 44. Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...

The letter "G", illustrated by goldfish. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box is available for $3500. Anim...

Signed, titled and numbered by the artist. Chicano artist Xavier Viramontes is known for both political subject matter, initmate family scenes and the humor found in this series of d...

Signed, titled and numbered from the edition of 30. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Signed, titled and numbered from the edition of 25. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Artist: John Baldessari Title: Three Colors (with Horse Ascending) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 30 x 20 inches (76.2 x 50.8 cm) Edition: 35; s...

This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...

"Left Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Left Gatekeeper Ibis" is a companion to "Right Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

"Right Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Right Gatekeeper Ibis" is a companion to "Left Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

Jose Bedia (Cuban, 1959) 'Tumba y Raja', 2019 Sugarlift on iron plate Limited edition of 30 Image size: 89.5 x 151.5 cm. (35.2 x 59.6 in.) Overall size: 109 x 172 cm. (42.9 x 67.7 in...

Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed