Lanfranco Quadrio

Dittico di Ali

2004

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

Original Print, hand made and hand printed by the artist. A penguin on a mission, a gentoo penguin striding along in the indomitable way a penguin does. Helen Fay is available online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct markmaking, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu. The photographs of Andrei Tarkovsky are favourites too. Lastly, I would like to namecheck a great influence in natural history illustration...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Guy Allen Grazing Horse Study Gold An etching, aquatint and hand finished gold leaf on 300gsm Somerset paper. Edition Size: 75 Year Completed: 2017 Image Size: H 19.5cm x W 13.5cm Paper Size: 56 x 39 cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look)Please note the price is for the unframed original etching . Grazing Horse Study Gold is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink onto paper. To create his pieces, Guy Allen marries the traditional technique of etching with timeless subject matter and print making processes, for a more contemporary twist. This etching is a study piece for the large Grazing Horse artwork...

Guy Allen Bumblebee Etching Edition Size: 75 Year Completed: 2019 Image Size Diameter: 28cm Approximate Size if Framed: H50cm x W50cm Sold Unframed (Please note that in situ images a...

Guy Allen Equine Gold Etching, Aquatint and Hand Finished Gold Leaf Edition Size: 75 Year Completed: 2019 Image Size: H 60cm x W 60cm Approximate Size When Framed: H80cm xW 80cm Sold...