Tom Everhart
Dancing in the Rain
2001

Name: Dancing in the Rain
Brand: Tom Everhart
Price: 1499 USD
Availability: InStock

About the Item

Dancing in The Rain - 2001, Signed and Numbered (SN) Limited Edition of 500 Lithograph on Paper This piece is very rare and sold out from the publisher! 30" x 22" Comes with publisher coa. Tom Everhart American Artist: b. 1952. The explosive, dazzling color, expressionistic imagination, and big-as-life proportions are Tom Everhart's signature elements...Everhart's artwork is the culmination of 20 years of close association with cartoonist Charles M. Schulz and the Peanuts phenomenon. The only fine artist authorized to artistically render the Peanuts characters, Everhart had been a successful painter of large-scale landscapes before being asked to render drawings of the ®Peanuts characters for a commercial project in 1980. With no background in cartooning, Tom Everhart prepared for the task by projecting Schulz's comic strips onto a 25-foot wall in his studio for closer examination. Everhart was stunned to discover that, blown up larger than life, Schulz's pen strokes closely connected to his own painting style. Tom Everhart's immediate fascination with Schulz's "line" and his remarkable ability to capture it with his own distinct interpretation impressed Schulz and launched a friendship and collaboration that continued until Schulz's death in February 2000.

Creator:

Tom Everhart (1952, American)

Creation Year:

2001

Dimensions:

Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 1 in (2.54 cm)

Medium:

Lithograph

Movement & Style:

Pop Art

Period:

2000-2009

Framing:

Framing Options Available

Condition:

Gallery Location:

Pembroke Pines, FL

Reference Number:

1stDibs: LU2382211734352

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Tom Everhart

TOM EVERHART was born on May 21, 1952 in Washington, D.C. He began his under graduate studies at the Yale University of Art and Architecture in 1970. In 1972 he participated in an independent study program under Earl Hoffman at St. Mary’s College. He returned to the Yale School of Art and Architecture in 1974 where he completed his graduate work in 1976, followed by post-graduate studies at the Musee de l’Orangerie, in Paris. He taught Life Drawing and Painting, briefly from 1979 to 1980, at Antioch College. In 1980, Tom Everhart was introduced to cartoonist Charles M. Schulz at Schulz’s studios in Santa Rosa, California. A few weeks prior to their meeting, Everhart, having absolutely no education in cartooning, found himself involved in a freelance project that required him to draw and present Peanuts renderings to Schulz’s studios. Preparing as he would the drawings and studies for his large-scale skeleton / nature related paintings; he blew up some of the cartoonist’s strips on a twenty-five foot wall in his studio which eliminated the perimeter lines of the cartoon box, leaving only the marks of the cartoonist. Schulz’s painterly pen stroke, now larger than life, translated into painterly brush strokes and was now a language that overwhelmingly connected to Everhart’s own form of expression and communication. Completely impressed with Schulz’s line, he was able to reproduce the line art almost exactly, which in turn impressed Schulz at their meeting. It was directly at this time that Everhart confirmed his obsession with Schulz’s line art style and their ongoing relationship of friendship and education of his line style. A few years later, while still painting full-time on his previous body of work in his studio, Everhart began drawing special projects for Schulz and United Media, both in New York and Tokyo. These authentic Schulz-style drawings included covers and interiors of magazines, art for the White House, and the majority of the Met Life campaign. When Everhart was not painting, he was now considered to be the only fine artist authorized and educated by Schulz to draw the actual Schulz line. The paintings using Charles Schulz’s comic strip, Peanuts, as subject matter began and replaced the skeleton and nature related paintings in 1988. The inspiration came to Everhart in Johns Hopkins Hospital, where he was undergoing several operations for stage 4 colon / liver cancer in the summer of 1988. Everhart recalls lying in a hospital bed surrounded by enough flowers to open a florist shop, piles of art books and a stack of Peanuts comic strips sent to him by Schulz. The light streaming in from the window almost projected the new images of his future Schulz inspired paintings on the wall. All the images in Everhart’s work are in some respect derived from Schulz’s Peanuts comic strip.