Bert Stern

Marilyn with Fur Hat, Bert Stern

1962/2001

Beautifully composed, this exquisite original photograph of Sharon Tate by Milton Greene was printed in 1998 from an original negative taken by the photogr...

This digital pigment print was created by the artist in 1962/2012. Signed by the artist in red crayon (verso) and titled (recto), measuring 19 x 13 ½ in. (48.3 x 34.3 cm.). (With cop...

One of the last photographs taken of Marilyn Monroe, this stunning image from the set of her last film (The Misfits) was taken in 1960 and was printed in 2019. A gelatin silver prin...

From a negative taken just six weeks before Marilyn Monroe’s death, Bert Stern was commissioned by Vogue Magazine in 1962 to shoot what was to bec...

As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Sequin Gloves was created in 2011 from the negative Bert Stern shot in 1962. It is a ...

Created by Frank Worth in 1953, this absolutely stunning and glamorous image of Marilyn Monroe on the set of How to Marry a Millionaire is a...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Archival inkjet print Signed and dated, recto 7 x 5 inches, sheet This artwork is offered by ClampArt, located in New York City. Maggie Meiners is an American artist and photograph...

PAOLO SORRENTINO 2011 From “Portraits” project Print run 11+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 60X80 11 +2PA (plexiglass on alluminium dbond 3mm) CM 30X40 8/11 +2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

DIETRICH MOOD 2011 From “Portraits” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 80X60 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 40X30 Print run 10+2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...

Available sizes 32 x 32 Edition of 15 40 x 40 Edition of 10 48 x 48 Edition of 5 THE EYES OF A WOLF are not like the yes of a dog. But, they used to be. Rooted deep in the very hea...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 THE EYES OF A WOLF are not like the yes of a dog. But, they used to be. Rooted deep in ...