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Bruce RickerCarmel Canyon2000
2000
About the Item
Carmel Canyon is a serigraph on paper with an image size 31.5 x 29.5 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 125/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding.
Bruce Ricker redefines landscape art using a style that he calls “Epic Visionary.” It is the Ricker combination of educated understanding and lucid imagination which results in delightful, unexpected and satisfying, artworks. He has built a unique language of shapes that are notable for their sharp detail and articulate precision, as well as their vision of a nature more internal and mystical than photo-realistic.
With Carmel Canyon, Ricker blends natural rock formations with the local flora to present balance within the environment. His richly colored and lush trees are often countered with groups of bare branches, at times clinging to lively rock outcrops. This contrast reveals the struggle and perseverance of everyday life with the beauty that results from successful adaptation to the challenge of survival. The blending of numerous seasonal colors within one work draws us into the artist’s own reality, filled with the beauty and wonder of his imagination. Here, clouds flow like river-water over the mountains and into the canyons below. Ricker captures the essence of multiple landscapes in one highly complex, rich image that keeps the mind stimulated at every glance, constantly stumbling upon another hidden jewel. Full of energy, Carmel Canyon is a sanctuary of earthly harmony.
Martin Lawrence Galleries is an affiliate of Chalk & Vermilion Fine Arts, the original publisher of this print. This print is as new, with no prior ownership.
- Creator:Bruce Ricker (1945, American)
- Creation Year:2000
- Dimensions:Height: 44 in (111.76 cm)Width: 41.5 in (105.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition, no prior ownership.
- Gallery Location:Greenwich, CT
- Reference Number:
Bruce Ricker redefines landscape art. Using an epic visionary approach, he combines an educated understanding with a lucid imagination. The results are delightful, unexpected, satisfying, and unique. Born in Columbus, Ohio in 1945, he grew up in Carmel Valley, California in the 1950s, with almost no exposure to television or city life, instead, he spent his leisure time roaming the hills and redwood canyons of rural California. In the early 1960s, he joined the Navy and became a hospital corpsman in Vietnam at the age of 17. When he returned from his service, he studied art at San Francisco State University, however, he left after two years, dissatisfied with a program that seemed to be only an indoctrination in the “proper” ideas about art. Ricker later enrolled in the U.C. Berkeley School of Architecture. Although he benefited from this discipline, he thought he had “too many curves” in him to stick to the straight path of architecture as a career. In the mid-1970s, he began painting seriously and selling his artwork to an increasingly wide audience. “I’m trying,” says Bruce Ricker, “to do the same thing George Lucas does in his movies.” That would be to create a new universe, or at least a new way of seeing what is already here. In doing so, the artist, film director, writer and actor must chart new territory which, when you think about it, is what creative life is all about. “Someone like Lucas,” continues Ricker, “must ask himself, ‘How can I present a city unlike any ever seen before?’ I ask myself this same question before I paint. I am very aware of the standard way of looking at things – the cliché – any my work is all about not falling into that trap.” Over his thirty years as a professional artist, and even longer as a lover of the land, Bruce Ricker’s motifs have become notable for their sharp detail and articulate precision. He prefers to find uncharted territory that’s rich and beautiful… and unexpected, to “give people a view they haven’t seen before. In dreams and in life, nothing is impossible.” (Victor Forbes, Fine Art, 2002)
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