Skip to main content
Want more images or videos?
Request additional images or videos from the seller

Cyril Power
THE EIGHT - Rare early proof of a major Grosvenor School Linocut

1930

About the Item

CYRIL POWER (1872 – 1951) THE EIGHT 1930 (Coppel CEP 18: V. 18) Color linocut. Unsigned. A printer’s counterproof (?) in reverse, on newsprint. Only two of four colors. 12 ½” x 9 ¼”. Tears at upper margin around hinge and at lower sheet edge. Provenance: Redfern Gallery, Power estate.
  • Creator:
    Cyril Power (1872 - 1951, British)
  • Creation Year:
    1930
  • Dimensions:
    Height: 12.5 in (31.75 cm)Width: 9.25 in (23.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Santa Monica, CA
  • Reference Number:
    1stDibs: LU41139069392
More From This SellerView All
  • FRUIT FOR SALE
    By Frances H. Gearhart
    Located in Santa Monica, CA
    FRANCES H. GEARHART and Sisters (THE GEARHARTS) FRUIT FOR SALE c.1928 Color block print. Unsigned. This is an original block print from “Let’s Play”, an intended but unpublished children’s book done in collaboration with her sisters Edna and May in 1928. Image 8 x 7 inches. On a tissue thin laid paper. Irregular sheet 9 3/8 x 8 1/2. The entire series consisted of over 20 children's images. There were very few printed. The editions of the various children varied but likely no more than 50. This impression very well printed with good colors, Very good condition. The margins are likely as issued with the irregular edges. The margins and paper used for this series varies from one print to the next. A bit of tape remnants at top center sheet edge. A very nice example of this print. It is not unusual for impressions of this series to be unsigned, although many are signed "The Gearharts" The Provenance of this example is fascinating. It was acquired from a gentleman who knew the Gearharts as a child in the early 50's in Pasadena. It was part of a collection given to him by Frances. In his adult years he was in the military and took the collection with him as he traveled around Europe, After 81 years, based on the original prints, this book was published by the “California Book...
    Category

    1920s American Modern Figurative Prints

    Materials

    Woodcut, Linocut

  • TUBE STAIRCASE - Unique Trial Proof
    By Cyril Power
    Located in Santa Monica, CA
    CYRIL POWER (1874 - 1951) THE TUBE STAIRCASE, 1929 (Coypel CEP 11) Linocut, a likely unique proof impression of the key block in reverse, suggesting a counterproof. Unsigned. 17 ½” x 10”, sheet 20 x 14 ¾”. On a sheet of brown wove paper similar to newsprint. A few repaired tears in the margins. Provenance: Redfern Gallery, 2014 with label and inventory no. Redfern Gallery has represented the Grosvenor School...
    Category

    1920s Modern Abstract Prints

    Materials

    Linocut

  • POSTER SIZE MEXICAN LINOCUT - DESPERTAR (Awakening)
    By Adolfo Mexiac
    Located in Santa Monica, CA
    ADOLFO MEXIAC (Mexican b.1927 - ) DESPERTAR, (Awakening) 1960 Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2 Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...
    Category

    1960s Modern Figurative Prints

    Materials

    Linocut

  • ISRAEL (1951 Mexican Homage Poster)
    By Fanny Rabel
    Located in Santa Monica, CA
    FANNY RABEL (1922 – 2008) and ALBERTO BELTRAN (B. 1923 ISRAEL - 2 Conferencias por Vocente Lombardo 1951 (P.134) Linocut in 3...
    Category

    1950s Modern Figurative Prints

    Materials

    Linocut

  • VILLAGE SCENE / TOWN FESTIVAL
    By Herbert Gurschner
    Located in Santa Monica, CA
    HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
    Category

    1920s Modern Figurative Prints

    Materials

    Woodcut, Linocut

  • JOSHUA TREE
    By Frances H. Gearhart
    Located in Santa Monica, CA
    FRANCES H. GEARHART (American, 1869-1958) JOSHUA TREE c. 1925-30 Color block print. Signed in pencil. 6 1/2 x 4 1/2 inches. Edition unknown, bur likely ab...
    Category

    1920s Modern Landscape Prints

    Materials

    Linocut, Woodcut

You May Also Like
  • Pablo Picasso, "Tête de Femme", original linoleum cut
    By Pablo Picasso
    Located in Chatsworth, CA
    This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...
    Category

    1960s Modern Portrait Prints

    Materials

    Linocut

  • Figures - Original Linocut by Axel Hartenstein - Mid 20th century
    Located in Roma, IT
    Hartenstein is an Original Linocut realized by Axel Hartenstein in the mid-20th Century. Hand-signed. Numbered. Edition 1/20.
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Linocut

  • Femme Couchée et Homme au Grand Chapeau
    By Pablo Picasso
    Located in New York, NY
    Large, attractive color linocut by Pablo Picasso from a limited edition of 50. Signed by Picasso and numbered in pencil. Printed by Arnéra, Vallaur...
    Category

    1950s Modern Figurative Prints

    Materials

    Linocut

  • Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959
    By Pablo Picasso
    Located in Palo Alto, CA
    Considered to be one of Picasso’s monumental linoleum prints, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959 is a large-scale artwork that captures the essence of this artist’s innovation and minimalist creativity. His simple lines curve and undulated together to form the characters of the piece: the woman – feminine and robust, the horse – whimsical and characteristic, and the picador – strong and masculine. All three subjects create a triad composition making way for a harmonious and balanced piece. The entire work exudes an air of femininity and mystery, all set against a backdrop of a misty grey helping to create Picasso’s sensual environment of intrigue. Created in 1959, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse) is a color linocut on Arches paper hand-signed by Pablo Picasso (Malaga, 1881 – Mougins, 1973) in pencil in the lower right margin. Numbered 21/50 in pencil in the lower left margin, this work was printed by Arnéra, Vallauris and published by Galerie Louise Leiris, Paris. Catalogue Raisonné: Pablo Picasso Picador, Woman, and Horse (Picador debout avec son cheval et une femme), 1959 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work): 1. Baer, Bridgette. Picasso Peintre-Graveur, Tome V – Catalogue Raisonné de l’œuvre grave et des monotypes, Berne: Editions Kornfeld, 1989. Listed and illustrated as catalogue raisonné no. 1238. 2. Bloch, Georges. Picasso Catalogue de l'ouvre gravé et lithographié, Volume I. Kornfeld et Cie: Switzerland, 1968. Listed and illustrated as catalogue raisonné no. 913. 3. Boeck, W., intr. Pablo Picasso Linoleum...
    Category

    1950s Modern Figurative Prints

    Materials

    Linocut

  • Jacqueline au Bandeau de Face (Grande Tête de Femme)
    By Pablo Picasso
    Located in Palo Alto, CA
    Pablo Picasso Jacqueline au Bandeau de Face (Grande Tête de Femme), 1962 is a bright and unique depiction of Pablo Picasso’s last and fin...
    Category

    1960s Modern Portrait Prints

    Materials

    Linocut

  • Walter Hoyle: St Catharine's College, Cambridge linocut print
    By Walter Hoyle
    Located in London, GB
    To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922-2000) St Catharine's College, Cambridge (Cambridge Series 1956-66) Linocut 59 x 39 cm Signed lower right; inscribed and numbered 35/75 in pencil. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
    Category

    1960s Modern Landscape Prints

    Materials

    Linocut

Recently Viewed

View All