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Emil NoldeTandelei (Expressionism, Expressionist, Portraits, Early 20th Century, Iconic)1917
1917
About the Item
Emil Nolde
Tandelei (Tändelei)
Woodcut on fine paper (Holzschnitt auf Karton)
Year: 1917
Image Size: 11.811x9.527in
Sheet Size: 16.614x13.425in
Edition: 12
Signed and titled in pencil
Catalogue Raisonné: Schiefler-Mosel H 134 III
Framed
Ref.: 924802-1749
Condition: Very good. Image intact; no tears, creases, foxing, staining or soiling
Provenance: This piece has been graciously consigned with our gallery by a prominent Kansas City Private Collection.
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Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals.
Nolde's intense preoccupation with the subject of flowers reflected his interest in the art of Vincent van Gogh.
- Creator:Emil Nolde (1867-1956, German)
- Creation Year:1917
- Dimensions:Height: 17.25 in (43.82 cm)Width: 12.9 in (32.77 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:1stDibs: LU608312885702
Emil Nolde
Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals. Emil Nolde’s etchings reach far beyond the traditional printmaking of the early 20th century. He created rich tonal and textural areas through unusual applications of acid to his etching plates, masses of undulating, interwoven lines, and scratching with a variety of tools. He taught his inventive techniques to other Die Brucke artists.
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