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Eric Fischl
Trout

1990

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Incarnation 5. Young artist, Figurative print Linocut, Black & white, Polish art
By Luiza Kasprzyk
Located in Warsaw, PL
Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...
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2010s Contemporary Figurative Prints

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Paper, Linocut

Incarnation 7. Young artist, Figurative print Linocut, Black & white, Polish art
By Luiza Kasprzyk
Located in Warsaw, PL
Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...
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2010s Contemporary Figurative Prints

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Paper, Linocut

Incarnation - Young artist, Figurative print, Linocut, Black & white
By Luiza Kasprzyk
Located in Warsaw, PL
LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda.
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2010s Contemporary Figurative Prints

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Paper, Linocut

Here's Flowers
By Gary Hume
Located in New York, NY
Gary Hume Here's Flowers 2006 Eight color linocuts with hand additions in graphite Portfolio of prints presented in a special wooden buckram-covered box designed by the artist Each...
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Early 2000s Contemporary Abstract Prints

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Cover Me In Sunshine (2022), linocut on paper, dark red, woman, sun, plant, palm
Located in Jersey City, NJ
Linocut block print on archival paper. Dark red ink. Female figure with sun, palm plant, palm leaf. Framing available. Hand signed by artist.
Category

2010s Contemporary More Prints

Materials

Archival Paper, Linocut

‘Solstice Sun’
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...
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2010s Contemporary Landscape Prints

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