Eric Orr

Red Bacelona Series abstract red black

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Eric Orr (1939-1998) was a sculptor and installation artist. He lived and worked in Venice, California from 1965-1998, and is a key figure of the Light and Space movement. Before moving to Los Angeles in 1965, Orr was a civil rights worker in Mississippi. His artworks are found in the collections of many major cultural institutions, and his work is installed in public and private spaces internationally. The Cool School In Barcelona Series

185/300 Born in Fribourg, Tinguely grew up in Basel, but moved to France in 1952 with his first wife, Swiss artist Eva Aeppli,[1] to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau r̩alisme) in 1960. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City,[2] although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas. Tinguely married fellow Swiss artist Eva Aeppli in 1951. In 1971, Tinguely married his second wife, Niki de Saint Phalle with whom he collaborated on several artistic projects such as the Hon-en-Katedrall[3] or The Cyclop.[4] Jean Tinguely died in 1991 at the age of 66 years...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...

Melissa Meyer's calligraphic gestures form a screen in front of subtle wash colors.

Lithograph printed in three blacks in an edition of 46.

untitled Ed Clark lithograph from 1979. Signed and dated "Clark 79" in pencil lower right recto. Numbered "164/200" lower left recto.

Richard Hunt untitled lithograph 1978. Number 20 from an edition of 50, measuring 15 by 22.5 inches. This print has been professionally matted.