Items Similar to Aaron and Moses
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Amos YaskilAaron and Mosesc.1980
c.1980
About the Item
This artwork titled "Aaron and Moses" c.1980 is an original color lithograph on paper by Israeli artist Amos Yaskil, b.1935. It is hand signed and inscribed A.P. (Artist Proof) in white crayon by the artist. The image size is 20 x 14.5 inches, framed size is 33.5 x 27 inches. Custom framed in a black frame, with green color matting. The artwork is in excellent condition, the frame is in very good condition, it has a few very small dents. barely visible.
About the artist.
Amos Yaskil was born in Haifa, Israel in 1935 to a German mother and Polish father. At the age of 10, he began painting in what was described as a "wholly adult style," recognized by some critics as sensational. The author Arnold Zweig, having noticed his talent, interviewed Amos at length for a British newspaper. Superlatives such as "the Mozart-like, wonder-child-of-painting" and "young genius" were used repeatedly to describe the then 13 year-old Yaskil.
Amos Yaskil is an autodidact, meaning self taught. The development of his paintings and prints, and his activities in other artistic creations correspond to the different phases of his life. In his art he combines the impressions of the landscapes in which he lives with the influence of the French Impressionists and of the German "Brucke" artists.
For the last 32 years he has lived near the Sea of Galilee. The world of Amos Yaskil is one where permanent Spring holds sway in a breathtaking experience of color. He uses rich color, brilliant sunlight, and natural beauty of the region to enable the world to share in that beauty.
Amos Yaskil exhibits regularly in Israel, Europe, South America, the Far East and the United States.
- Creator:Amos Yaskil (1935, Israeli)
- Creation Year:c.1980
- Dimensions:Height: 33.5 in (85.09 cm)Width: 27 in (68.58 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1999
1stDibs seller since 2017
686 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Woman with HatBy Franco GentiliniLocated in San Francisco, CAThis is an original color lithograph on wove paper by Roman Italian artist Franco Gentilini (1909 - 1981) entitled "Woman with Hat." It was created circ...Category
20th Century Modern Figurative Prints
MaterialsLithograph
- Le Troisieme Oeil (The Third Eye) plate #4By Marcel MarceauLocated in San Francisco, CAThis artwork is an original color lithograph on Arches paper by French artist Marcel (le Mime) Marceau, 1923-2007. It is signed and numbered 217/250 in pencil by the artist. The imag...Category
Late 20th Century Modern Figurative Prints
MaterialsLithograph
- Cliff House, San FranciscoBy Fanch (Francois Ledan)Located in San Francisco, CAThis artwork titled "Cliff House, San Francisco" c.1980 is a original colors lithograph on paper by French artist (Fanch, Francois Ledan, born 1949) it is...Category
Late 20th Century Modern Landscape Prints
MaterialsLithograph
- Sub CultureBy Caroline DurieuxLocated in San Francisco, CAThis artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...Category
Late 20th Century American Modern Figurative Prints
MaterialsLithograph
- Demoiselle Blasonee, from the suite Pleni Luna.By Wifredo LamLocated in San Francisco, CAThis artwork titled "Demoiselle Blasonee from the suite, Pleni Luna" 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo Lam, 1902-1982. It is...Category
1970s Modern Figurative Prints
MaterialsLithograph
- The Prophet Daniel With The LionsBy Marc ChagallLocated in San Francisco, CAArtist: Marc Chagall (Russian, 1887-1985) Title: "The Prophet Daniel With The Lions" Publication: Verve, no. 33-34 Year : 1956 Medium: Original col...Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph
You May Also Like
- Les Travaux - Lithograph by Robert Lotiron - Early 20th CenturyBy Robert LotironLocated in Roma, ITLes Travaux is a lithograph realized by Robert Lotiron in the Early 20th Century. Good condition. The artwork is depiced through soft strokes in a well-balanced composition.Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph
- Homme barbu couronné feuilles de vigneBy Pablo PicassoLocated in Palo Alto, CACreated in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin. Catalogue Raisonné: Pablo Picasso Homme barbu couronné feuilles de vigne...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Le clown et l’Harlequin (Clown & the Harlequin)By Pablo PicassoLocated in Palo Alto, CAIn the wonderful Picasso Le clown et l'Harlequin (The Clown and the Harlequin), 1971, a clown and harlequin walk side by side as if in deep conversation. The vibrant red, blue and ye...Category
1970s Modern Figurative Prints
MaterialsLithograph
- TrafficBy Louis LozowickLocated in New York, NYLouis Lozowick created the lithograph entitled Traffic in 1930. This stunning impression is signed and dated in pencil in the lower right just under the image and inscribed "2/20" i...Category
Mid-20th Century Modern More Prints
MaterialsLithograph
- "Paris de ma fenêtre" 1969-1970 Paris from My Window - Color lithographBy Marc ChagallLocated in Rancho Santa Fe, CAMarc Chagall "Paris de ma fenêtre" 1969-1970 Lithograph in colors on Arches paper 32.5 x 23.75 inches (image size) 39.5 x 27.5 inches (sheet size) Edition of 50 + 25 AP Signe...Category
1960s Modern Figurative Prints
MaterialsArchival Paper, Lithograph
- Tribal Men - Original Lithograph by Emmanuel Gondouin - 1930sLocated in Roma, ITTribal Men is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is part...Category
1930s Modern Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Galilee Painting
Mozart P
Flute Of Chicago
Giacometti Like Sculptures
Hand Signed Norman Rockwell
Henri Matisse Print Jazz
Jean Pierre G
Judaica 19th
Marc Chagall Signed Book
Matisse Dress
Mozart Sculpture
Original Posters Chagall
Peter Pots
Picasso Boy
Picasso Pitcher
Retro French Fashion Posters
Romare Bearden Signed
Salvador Dali The Lovers