Andrea Stajan-Ferkul

Black Tie Optional - 12"x12" x 2, Pair Of Art Prints, Dress, Pearls, Tuxedo

2018

This art print on photographic paper is a one-of-kind reproduction of the original painting. It depicts an intricate dress combining the elegance of lace with floral embellishment. O...

This lace dress evokes a sense of femininity, grace and timeless charm. The one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper...

This dress evokes a sense of femininity, grace and timeless charm. The one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Han...

A playful essence of femininity, grace and charm. This one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Hand painted stroke...

This art print on recycled paper captures the chic aesthetic of times past. Vintage style has an enduring appeal in the fashion world. Personalize your space with this fashionable st...

This art print on recycled paper captures the chic aesthetic of times past. Vintage style has an enduring appeal in the fashion world. Personalize your space with this fashionable st...

No Title (No 11) Photography Edition of 28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2017 Unframed - ships in a tube This picture is a part of Spir...

"No title (No 29)" Photography Edition 3/28 36x36 inch by Yevgeniy Repiashenko Photography Edition of 28 (36" x 36" inch) by Yevgeniy Repiashenko Year photo was taken: 2016 Unfram...

"Asphodel" Photography Edition 8/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2020 Unframed - ships in a tube This picture is a part of Spirit seri...

"Asphodel" Photography Edition of 18 47 x 47 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2020 Unframed - ships in a tube This picture is a part of Spirit ser...

No Title (No 75) Photography Edition 2/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2022 Unframed - ships in a tube This picture is a part of Spiri...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman with long, dark hair with both arms stretched to the sides while surrounded by lit candles. Her back faces the camera as she faces a wall with graffiti. The scene is reminiscent of Jesus on the cross. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.13 Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...